Not currently on display at the V&A

Poster

mid 20th century (printed)
Artist/Maker
Place of origin

Typographical posters such as this were typical of the advertisements for variety theatres in Great Britain in the first half of the 20th century. Variety developed out of music hall and, like its predecessor, provided a number of entertainers on one programme. As small music halls gave way to the large variety theatres built by profitable concerns such as Moss Empires, the type of entertainment on offer became more ambitious. Variety shows typically took place twice-nightly, and the star performer whose spot was the culmination of the show, had their name at the top of the poster, literally 'topping the bill'.

Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety shows fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television.


Object details

Categories
Object type
Materials and techniques
Printed paper
Brief description
Poster for the London Palladium, advertising the programme commencing on 3 July, n.y., featuring the show Band Waggon presented by Jack Hylton.
Physical description
Typographic poster for the London Palladium, printed in black, orange, blue, yellow, red and pink on paper, advertising the programme commencing on 3 July, n.y., featuring the show Band Waggon presented by Jack Hylton (by courtesy of the B.B.C.); with Arthur Askey; Florence Desmond; Tommy Trinder; Richard (Stinker) Murdoch; Syd (Wants to Know) Walker; Charles Smart; Toy & Wing; Freddy Schweitzer; Belett and the English Brothers; Dolly Elsie; Palladium Girls; Syd Crossley; the Band Waggoners; Billy Ternent. Show Band Waggon adapted for the stage from the original broadcasting production; produced by Harry S. Pepper & Gordon Crier. Sketch Mr. Walker Wants To Know! written by Ernest Dudley. Printed with the names of the Managing Director: Mark Ostrer, General Theatre Corporation Ltd.; Direction: George Black; Resident Manager: C.T. Hutchison. Titles of the sketches featuring in the show printed at the bottom. Decorated with orange and black frame printed around the edges.
Dimensions
  • Height: 50.9cm
  • Width: 31.6cm
Marks and inscriptions
Transliteration
Credit line
Given by Gwendoline Playle
Summary
Typographical posters such as this were typical of the advertisements for variety theatres in Great Britain in the first half of the 20th century. Variety developed out of music hall and, like its predecessor, provided a number of entertainers on one programme. As small music halls gave way to the large variety theatres built by profitable concerns such as Moss Empires, the type of entertainment on offer became more ambitious. Variety shows typically took place twice-nightly, and the star performer whose spot was the culmination of the show, had their name at the top of the poster, literally 'topping the bill'.

Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety shows fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television.
Collection
Accession number
S.263-2008

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Record createdNovember 12, 2008
Record URL
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