Not on display

Poster

1957 (printed)
Artist/Maker
Place of origin

Typographical posters such as this were typical of the advertisements for variety theatres in Great Britain in the first half of the 20th century. Variety developed out of music hall and, like its predecessor, provided a number of entertainers on one programme. As small music halls gave way to the large variety theatres built by profitable concerns such as Moss Empires, the type of entertainment on offer became more ambitious. Variety shows typically took place twice-nightly, and the star performer whose spot was the culmination of the show, had their name at the top of the poster, literally 'topping the bill'.

Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety shows fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television.

Object details

Categories
Object type
Materials and techniques
Printed card
Brief description
Hanging card for the Plaza, West Bromwich, advertising the programme for the week commencing on Monday 28 January 1957, featuring the show Thanks for the Memory presented by Don Ross.
Physical description
Typographic and pictorial hanging card for the Plaza, West Bromwich, printed in red, yellow and blue, double pierced at the top with string for suspension, advertising the programme for the week commencing on Monday 28 January 1957, featuring the show Thanks for the Memory presented by Don Ross, with Hetty King; Randolph Sutton; Billy Danvers; Morris & Cowley; David de Mott; Jill Jayes; Jimmy Kidd and June. The title of the show and the names of the performers are framed by curtains printed in red and yellow with blue borders.
Dimensions
  • Height: 38.0cm
  • Width: 24.0cm
Marks and inscriptions
  • 'Ellis Ashton Collection'. (Stamped recto in red ink, top right.)
  • Rectangular sticker with the words 'Ellis Ashton Publicity Officer British Music Hall Society'. (Appended verso top centre.)
  • (Possibly evidence of previous framing at the bottom, recto and verso.)
Credit line
Given by Gwendoline Playle
Object history
From the Ellis Ashton collection. Given to Dick Playle who amassed this collection.
Summary
Typographical posters such as this were typical of the advertisements for variety theatres in Great Britain in the first half of the 20th century. Variety developed out of music hall and, like its predecessor, provided a number of entertainers on one programme. As small music halls gave way to the large variety theatres built by profitable concerns such as Moss Empires, the type of entertainment on offer became more ambitious. Variety shows typically took place twice-nightly, and the star performer whose spot was the culmination of the show, had their name at the top of the poster, literally 'topping the bill'.

Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety shows fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television.
Collection
Accession number
S.257-2008

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Record createdNovember 12, 2008
Record URL
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