Not on display

Poster

1934 (printed)
Artist/Maker
Place of origin

Typographical posters such as this were typical of the advertisements for variety theatres in Great Britain in the first half of the 20th century. Variety developed out of music hall and, like its predecessor, provided a number of entertainers on one programme. As small music halls gave way to the large variety theatres built by profitable concerns such as Moss Empires, the type of entertainment on offer became more ambitious. Variety shows typically took place twice-nightly, and the star performer whose spot was the culmination of the show, had their name at the top of the poster, literally 'topping the bill'.

Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety shows fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television.

Object details

Categories
Object type
Materials and techniques
Printed paper on card
Brief description
Poster for the New Theatre, Northampton, advertising the programme for the week commencing on 6 August 1934 (Bank Holiday), featuring Gaston and Andree, Vivian Foster, Benedetti Bros.
Physical description
Typographic poster for the New Theatre, Northampton, printed in red and blue on paper backed with card, advertising the programme for the week commencing on 6 August, n.y., (Bank Holiday), featuring Gaston and Andree; Vivian Foster (comedian from Gracie Fields’ film This Week of Grace); Benedetti Bros; Reno and Andy; Dinks and Trixie; Stella and Partner; Gordon Richards Four; Frank Varney and Teddie Butt; The 2 Hoffmans with Pamela and Betty; Norman Malcom’s New Theatre Orchestra. Printed with the names of the Theatre Lessees: New Theatre (Northampton) Limited; General Manager and Licensee: W.A. Wayling Smith.
Dimensions
  • Height: 49.8cm
  • Width: 30.6cm
Marks and inscriptions
  • Stamp with the words 'Ellis Ashton Collection'. (Printed recto in red ink, top right.)
  • Stamp with the words 'Ellis Ashton (Music Hall Society)'. (Printed verso in red ink, top centre.)
  • 'T.T 4'. (Inscribed verso in blue ink, bottom left.)
  • (Possibly evidence of previous framing, verso.)
Credit line
Given by Gwendoline Playle
Object history
From the Ellis Ashton collection. Given to Dick Playle who amassed this collection.
Summary
Typographical posters such as this were typical of the advertisements for variety theatres in Great Britain in the first half of the 20th century. Variety developed out of music hall and, like its predecessor, provided a number of entertainers on one programme. As small music halls gave way to the large variety theatres built by profitable concerns such as Moss Empires, the type of entertainment on offer became more ambitious. Variety shows typically took place twice-nightly, and the star performer whose spot was the culmination of the show, had their name at the top of the poster, literally 'topping the bill'.

Before the days of television and radio, Variety was tremendously popular. Every town in Britain would have boasted a variety theatre and its stars could command fabulous salaries. As cinema and television became the mass means of entertainment, a host of variety theatres were converted to cinemas or were closed. Seaside Variety shows fared better than most and kept their patrons in the 1950s and 1960s by engaging stars who made their name on the radio, in the burgeoning rock and pop industry, or in television.
Collection
Accession number
S.251-2008

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Record createdNovember 7, 2008
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