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Eagle holding a Heron

Statuette
ca. 1890 (cast), ca. 1857 (Model)
Artist/Maker
Place of origin

This statue was cast by Barbedienne after a model by A.L Barye.

Antoine Louis Barye (1795-1875) exhibited his first animal sculpture in the Paris Salon of 1831 when he was dubbed an 'Animalier', a maker of animals. Initially applied with derogatory overtones, this term became widely used for sculptors - of whom Barye was first and foremost - who specialised in this genre. He was referred to as the 'Michelangelo of the Menagerie' by the contemporaneous art critic Théophile Gautier.


Object details

Categories
Object type
TitleEagle holding a Heron
Materials and techniques
Bronze
Brief description
Eagle holding a Heron (second version), Bronze, cast by Ferdinand Barbedienne (1810-1892) after a model by Antoine-Louis Barye (1796-1875), France (Paris), first edition ca. 1857, this cast ca. 1890 1857; this cast ca. 1890
Physical description
Bronze group, an eagle standing on a rock with a heron lying at its feet.
Dimensions
  • Height: 32cm
  • Width: 34cm
  • Depth: 28cm
Dimensions were taken by SCP on 05.11.14 for Bronze Zoo: A Sculptural Menagerie
Marks and inscriptions
BARYE signature cast through from the model, Stamped F.BARBEDIENNE Fondeur
Translation
F.BARBEDIENNE Founder
Transliteration
French
Object history
Purchased from the Barbedienne foundry in 1890 for the V&A’s Circulation Department and on long loan to Birmingham Art Gallery until July 1964 [before transfer to A&S in 1982]

Barye died in 1875 so this was cast later from a foundry model. Origins of the composition trace back to a project conceived by the French government in 1834 to place a gigantic eagle on top of the Arc de Triomphe.
Subjects depicted
Association
Summary
This statue was cast by Barbedienne after a model by A.L Barye.

Antoine Louis Barye (1795-1875) exhibited his first animal sculpture in the Paris Salon of 1831 when he was dubbed an 'Animalier', a maker of animals. Initially applied with derogatory overtones, this term became widely used for sculptors - of whom Barye was first and foremost - who specialised in this genre. He was referred to as the 'Michelangelo of the Menagerie' by the contemporaneous art critic Théophile Gautier.
Bibliographic references
  • List of Objects in the Art Division South Kensington Museum acquired during the Year 1890. Arranged according to the dates of acquisition, with appendix and indices. London: Eyre and Spottiswoode, 1891. pp. 13.
  • Poletti, M and Richarme, A. Barye. Catalogue raisonné des sculptures. Paris. 2000. cat. no. A184.
  • Trusted, Marjorie. The Making of Sculpture. The materials and techniques of European Sculpture. London, 2007. pp.59, pl. 95.
Collection
Accession number
112-1890

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Record createdNovember 3, 2008
Record URL
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