Puppet thumbnail 1
Not on display

Puppet

ca. 1850 (made)
Artist/Maker
Place of origin

This shadow puppet from Belgaum, Karnataka, in south-west India depicts Lakshmana, brother of Rama, an incarnation of the god Vishnu. It would have been used in performances of the Ramayana, the great Hindu epic which tells the story of Rama, his exile in the forest accompanied by his loyal brother Lakshmana, and their battles against the ten-headed demon king Ravana, who abducted Rama's wife Sita and took her to Lanka, his island fortress.
The shadow puppet performance would have been carried out with lamps and a cloth screen (made of dhotis or saris) set up in the village. The puppeteers, members of hereditary groups, were positioned behind the screen and would hold and manipulate the puppets by their integral cane or bamboo sticks. The Ramayana would have been performed in its entirety and would have been accompanied by music as well as singing and narration. There are different styles of shadow puppets in various regions of India, and those of Karnataka are called Togalu Gombe Atta.

Object details

Category
Object type
Materials and techniques
Leather, painted
Brief description
Lakshmana, shadow puppet, Karnataka, ca.1850
Physical description
Lakshmana, shadow puppet. Legs made spaced in running position, holding bow and arrow and sword. Quiver on back. Crown on head and long hair. Lower garment of red, pink and white.
Dimensions
  • Maximum, with holding stick height: 45.2cm
  • Width: 30.5cm
  • Depth: 1cm
Credit line
Given by the Associates of the V&A
Production
Karnataka
Subject depicted
Literary referenceRamayana
Summary
This shadow puppet from Belgaum, Karnataka, in south-west India depicts Lakshmana, brother of Rama, an incarnation of the god Vishnu. It would have been used in performances of the Ramayana, the great Hindu epic which tells the story of Rama, his exile in the forest accompanied by his loyal brother Lakshmana, and their battles against the ten-headed demon king Ravana, who abducted Rama's wife Sita and took her to Lanka, his island fortress.
The shadow puppet performance would have been carried out with lamps and a cloth screen (made of dhotis or saris) set up in the village. The puppeteers, members of hereditary groups, were positioned behind the screen and would hold and manipulate the puppets by their integral cane or bamboo sticks. The Ramayana would have been performed in its entirety and would have been accompanied by music as well as singing and narration. There are different styles of shadow puppets in various regions of India, and those of Karnataka are called Togalu Gombe Atta.
Bibliographic references
  • Los Angeles : University of California. 'Asian puppets : Wall of the World'. Los Angeles : Regents of the University of California,1976. pp. 10-43.
  • Contractor, Meher. 'The Shadow Puppets of India', Ahmedabad : Darpana Academy of the Performing Arts, 1984.
Collection
Accession number
IS.44-1983

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Record createdOctober 9, 2008
Record URL
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