altar vase thumbnail 1
altar vase thumbnail 2
On display

altar vase

Vase
1573-1620 (made)
Artist/Maker
Place of origin

This vase was produced at the imperial kilns of Jingdezhen for the court, and was probably used on a temple's altar to hold flowers. The colour scheme, generally known as wucai or 'five colours', combines underglaze blue and overglaze green, yellow, red, black and pale aubergine enamels; the design is outlined in black and red.

Object details

Category
Object type
Titlealtar vase (generic title)
Materials and techniques
Porcelain painted in underglaze blue and coloured enamels
Brief description
Altar vase painted in underglaze blue and coloured enamels, wucai ware, China, Ming dynasty, Wanli mark and period (1573-1620)
Physical description
Tall beaker-shaped vase with large foot, middle bulging section, long neck and flaring mouth; painted in underglaze blue and coloured enamels (wucai ware) with five-clawed dragons flying among cloud scrolls, peacoks with peonies, lotuses, rocks and waves.
Dimensions
  • Height: 57.3cm
Styles
Marks and inscriptions
大明萬曆年制 (In underglaze blue below the lip)
Translation
Made during the Wanli reign of the Ming dynasty
Transliteration
Da Ming Wanli nian zhi
Gallery label
(June 1991)
Porcelain altar vase, decorated over the glaze
Wanli reign period mark (1573-1620)
Ming dynasty
Object history
Purchased from Messrs S. M. Franck & Co Ltd. This vase was part of the imperial collection of the Yiheyuan (Summer Palace), the gardens renovated and expanded by Empress Dowager Cixi in 1884-95. In a photograph of the garden taken in 1900 by Noel Du Boulay, Commandant of the British troops guarding the palace, the vase can be seen on a wooden table together with other porcelain and jade objects.
Subjects depicted
Summary
This vase was produced at the imperial kilns of Jingdezhen for the court, and was probably used on a temple's altar to hold flowers. The colour scheme, generally known as wucai or 'five colours', combines underglaze blue and overglaze green, yellow, red, black and pale aubergine enamels; the design is outlined in black and red.

Bibliographic references
  • Hobson, R. L. Wares of the Ming dynasty. London: Benn Bros Ltd., 1923, p. 150, pl. 8
  • Ayers, John. Far Eastern ceramics in the Vistoria and Albert Museum. London: Sotheby Parke Bernet, 1980, cat. 171
  • Du Boulay, Anthony. The Summer Palace, Beijing 1900: an inventory by Noel Du Boulay, commandant 1900-1901. Transactions of the Oriental Ceramic Society. 1990-1991, vol. 55, p. 88 and 93, pl. 11
Collection
Accession number
C.463-1920

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Record createdOctober 2, 2008
Record URL
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