Relief Panel thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Buddhism, Room 47f, The Robert H. N. Ho Family Foundation Galleries of Buddhist Art

Relief Panel

5th century -6th Century (made)
Artist/Maker
Place of origin

This large-scale terracotta relief of a Buddha sitting cross-legged in meditating position was recovered from the collapsed remains of a 5th-6th century stupa at Kahu-jo-daro, near Mirpur Khas, in Sind, Pakistan. It came from a recess in one of the faces of the square basement section of the stupa and it is one of a series of depictions of Buddhas that decorated the walls of the basement.
Stupas were the archetypal Buddhist structures, developing from cairns made to cover relics of the Buddha but later covering other sacred relics and objects and acting as a distinctive symbol of Buddhism. Early examples were probably simple hemispherical mounds of earth but over time they came to be encased in brick or stone and became more elaborate and often taller, the dome being mounted on a cylindrical drum, surrounded by a processional pathway with railings. The drum was, in turn, in some places raised on a square base. Similarly, elaborate programmes of sculpture came to be used to adorn some stupas. At the time this stupa was made Buddhism was far more widely practised in India than it is today, the religion having all but disappeared in northern India around the thirteenth century.


Object details

Categories
Object type
Materials and techniques
Terracotta
Brief description
BUDDHA FROM THE BASEMENT OF STUPA: Terracotta relief, Kahu-jo-daro, near Mirpur Khas, Sind, Pakistan. Gupta period, 5th-6th century.
Physical description
Panel of terracotta, with traces of colour. The panel is rectangular. In the middle is a high-relief figure of a Buddha on a lotus-seat, seated with the hands in the lap in the dhyana mudra. The definitions of the hair, eyes and forehead 'urna' are obtained by impressed circles. The halo has a border of square and round rosettes, beading and crenellations. The panel is framed by a raised hatched border.
Dimensions
  • Height: 119cm
  • Width: 58cm
  • Depth: 30cm
  • Weight: 290kg
Gallery label
  • Seated Buddha AD 400–600 Gupta dynasty The rounded facial features of this Buddha and its flower decorated halo show that it was made during the Gupta dynasty of India. The similarities between this figure and the Chinese seated Buddha nearby shows how Buddhist teachings and art styles were transmitted from India to China via Central Asia during these centuries. Kahu-jo-daro, near Mirphur Khas, Sind, Pakistan Terracotta Museum no. IM.13-1931(03.8.2015)
  • Buddha from a Stupa 400–600 Gupta period Buddhists built stupas or mounds to enclose relics of the Buddha and later teachers, as well as other important artefacts such as sacred books. Originally hemispherical cairns, the stupas became more elaborate in shape. Pilgrims came from afar to worship the stupas, walking round and round them on a ritual path. This relief of a meditating Buddha was recovered from a ruined stupa. It was one of a series of Buddhas that decorated its square basement section. Terracotta Pakistan (Kahu-jo-daro, near Mirpur Khas, Sind) Found in 1894 Museum no. IM.13-1931 (06/06/2011)
  • BUDDHA FROM THE BASEMENT OF STUPA: Terracotta, Kahu-jo-daro, near Mirpur Khas, Sind, Pakistan. Gupta period, 5th-6th century. This large scale terracotta relief panel of a meditating Buddha was recovered from the collapsed remains of a 5th-6th century stupa in Sind. The figure of the Buddha is surrounded by a floral border. It is one of a series of Buddhas that decorated the walls of the square basement section of the stupa.(2007)
Object history
The panel came from a recess in one of the faces of the basement of a Buddhist stupa at Kahu-jo-daro, near Mirpur-khas, Sind.
Production
From the stupa near Mirpurkhas
Subject depicted
Summary
This large-scale terracotta relief of a Buddha sitting cross-legged in meditating position was recovered from the collapsed remains of a 5th-6th century stupa at Kahu-jo-daro, near Mirpur Khas, in Sind, Pakistan. It came from a recess in one of the faces of the square basement section of the stupa and it is one of a series of depictions of Buddhas that decorated the walls of the basement.
Stupas were the archetypal Buddhist structures, developing from cairns made to cover relics of the Buddha but later covering other sacred relics and objects and acting as a distinctive symbol of Buddhism. Early examples were probably simple hemispherical mounds of earth but over time they came to be encased in brick or stone and became more elaborate and often taller, the dome being mounted on a cylindrical drum, surrounded by a processional pathway with railings. The drum was, in turn, in some places raised on a square base. Similarly, elaborate programmes of sculpture came to be used to adorn some stupas. At the time this stupa was made Buddhism was far more widely practised in India than it is today, the religion having all but disappeared in northern India around the thirteenth century.
Bibliographic references
  • Journal of Bombay Branch, Royal Asiatic Society, vol. IX, pp.44 ff. Clarke, John: Arts of Asia, vol. 45, no. 5, September - October 2015, "The Buddha image in Asia: Phase One of the Robert H. N.Ho Family Foundation Galleries of Buddhist Art", p.115, pl. 3.
  • Annual Report, Archaeological Survey of India, 1909-10, pp.80 ff.
  • Mukherjee, Sabyasachi. 'The Reconstruction of a Buddhist Stupa at Mirpurkhas', in MARG Publications, vol. 60, no. 1, September, 2008 'Sindh: Past Glory, Present Nostalgia'.
Collection
Accession number
IM.13-1931

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Record createdOctober 2, 2008
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