Not on display

Evening Dress

ca. 1922 (made)
Artist/Maker
Place of origin

Superb materials and top-quality workmanship combine to create this stunning evening dress. Light-reflecting beads and sequins had long been popular decoration for evening fabrics, but in the 1920s the fashion reached its peak. The embroidery follows the lines of the printed floral design to enhance the pattern and catch the light. This dress was designed by the fashion house Callot Soeurs. Four sisters, Marie, Marthe, Regina and Joséphine, had opened a lace shop in 1888. The eldest, Marie (Madame Gerber), developed the couture side of the business at 9 avenue Matignon, Paris, where it continued until the mid 1930s. The sisters worked with exquisite and unusual materials, including Chinese silks and rubberised gabardine. Callot Soeurs was also known for its use of lace and decorated sheer fabrics.

This dress was worn by a British aristocrat, Winifred, Duchess of Portland. It was given to the Museum by Lady Victoria Wemyss and forms part of the Cecil Beaton Collection. This Collection was brought together by the society photographer Sir Cecil Beaton (1904-1980), contacted the well-dressed elite of Europe and North America to help create this lasting monument to the art of dress. The Collection was exhibited in 1971, accompanied by a catalogue that detailed its enormous range.

Object details

Categories
Object type
Parts
This object consists of 3 parts.

  • Evening Dress
  • Petticoat
  • Belt
Materials and techniques
Printed silk voile embroidered with sequins and glass bugle beads, and trimmed with lace
Brief description
Sleeveless evening dress of printed silk voile, lamé petticoat and net embroidered belt, made by Callot Soeurs, Paris, ca. 1922
Physical description
Sleeveless evening dress of printed silk voile, lamé petticoat and net embroidered belt.
Credit line
Given by Lady Victoria Wemyss
Object history
This dress was worn by Winifred, Duchess of Portland. It was given to the Museum by Lady Victoria Wemyss and forms part of the Cecil Beaton Collection. The Cecil Beaton Collection was brought together by the late Sir Cecil Beaton. With great energy and determination Sir Cecil contacted the well-dressed elite of Europe and America to bring this lasting monument to the art of dress. The collection was exhibited in 1971, accompanied by a catalogue which detailed its enormous range. This object is listed in the catalogue as cat. 40 page 20.
Summary
Superb materials and top-quality workmanship combine to create this stunning evening dress. Light-reflecting beads and sequins had long been popular decoration for evening fabrics, but in the 1920s the fashion reached its peak. The embroidery follows the lines of the printed floral design to enhance the pattern and catch the light. This dress was designed by the fashion house Callot Soeurs. Four sisters, Marie, Marthe, Regina and Joséphine, had opened a lace shop in 1888. The eldest, Marie (Madame Gerber), developed the couture side of the business at 9 avenue Matignon, Paris, where it continued until the mid 1930s. The sisters worked with exquisite and unusual materials, including Chinese silks and rubberised gabardine. Callot Soeurs was also known for its use of lace and decorated sheer fabrics.

This dress was worn by a British aristocrat, Winifred, Duchess of Portland. It was given to the Museum by Lady Victoria Wemyss and forms part of the Cecil Beaton Collection. This Collection was brought together by the society photographer Sir Cecil Beaton (1904-1980), contacted the well-dressed elite of Europe and North America to help create this lasting monument to the art of dress. The Collection was exhibited in 1971, accompanied by a catalogue that detailed its enormous range.
Bibliographic reference
Fashion : An Anthology by Cecil Beaton. London : H.M.S.O., 1971 40
Collection
Accession number
T.74 to B-1974

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdDecember 15, 1999
Record URL
Download as: JSONIIIF Manifest