The Visitation
Engraving
after ca. 1520 (made)
after ca. 1520 (made)
Artist/Maker | |
Place of origin |
Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter.
Object details
Categories | |
Object type | |
Title | The Visitation (generic title) |
Materials and techniques | Engraving in ink on paper |
Brief description | Engraving of The Visitation, copy after Lucas Hugensz van Leyden (called Lucas Jacobsz). |
Physical description | Engraving showing the Visitation, with Mary being kissed on the cheek by Elizabeth. Elizabeth is on Mary's left and is holding a walking stick in her right hand.The landscape is bare and the sky is rendered in horizontal lines. |
Dimensions |
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Style | |
Production type | Copy |
Marks and inscriptions | L (Artist monogram on plate, top left) |
Production | dating of original from New Hollstein |
Subjects depicted | |
Summary | Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter. |
Associated objects |
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Bibliographic references |
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Other number | Bartsch 36 |
Collection | |
Accession number | 27570 |
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Record created | September 23, 2008 |
Record URL |
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