Cot Set
1700-50 (made)
Artist/Maker | |
Place of origin |
In the eighteenth century, a mother would 'lie in' for some weeks after the birth of her child, receiving visitors in her bedchamber. In celebration of a safe delivery, friends and relatives would bring gifts, and the baby's cot would be dressed with elaborate textiles that mimicked adult fashions, designed to show its high status.
This particular cot set has been flat quilted. Flat quilting is where two pieces of cloth are stitched together with no wadding in between. A single or double line of stitching creates the pattern. The style of the flowers imitates chintzes and Indian embroideries popular in the late seventeenth and early eighteenth centuries.
This set would have been an expensive item, drawn out by a professional pattern drawer and embroidered in a workshop. The two curtains may have been joined together at a later date, possibly in the nineteenth century when this style of cot curtain became popular. Children born into middling and aristocratic households grew up among objects that mirrored adult fashions. Ceremonial items such as this cot set tended to be formal, luxurious and rich in appearance, designed to show off both the baby and the status of the household into which he or she had been born. Here, the style of chainstitch embroidery recalls the fashions for chintzes and Indian embroideries that were popular in the late seventeenth and early eighteenth centuries.
This particular cot set has been flat quilted. Flat quilting is where two pieces of cloth are stitched together with no wadding in between. A single or double line of stitching creates the pattern. The style of the flowers imitates chintzes and Indian embroideries popular in the late seventeenth and early eighteenth centuries.
This set would have been an expensive item, drawn out by a professional pattern drawer and embroidered in a workshop. The two curtains may have been joined together at a later date, possibly in the nineteenth century when this style of cot curtain became popular. Children born into middling and aristocratic households grew up among objects that mirrored adult fashions. Ceremonial items such as this cot set tended to be formal, luxurious and rich in appearance, designed to show off both the baby and the status of the household into which he or she had been born. Here, the style of chainstitch embroidery recalls the fashions for chintzes and Indian embroideries that were popular in the late seventeenth and early eighteenth centuries.
Object details
Category | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | flat quilted and embroidered |
Brief description | Cot set, cream curtain linen and quilted linen cover, 1725-1750, English, embroidered with flowers and leaves |
Physical description | Flat quilted cream linen cot cover and two curtains that have been joined at the upper edge. Flat quilted with a small, all-over diamond pattern in back stitch with cream silk thread, and embroidered with trailing flowers and leaves in red, pink, green and yellow silk thread. Both the cover and the curtain are lined with cotton and bound with green silk tape. |
Dimensions |
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Summary | In the eighteenth century, a mother would 'lie in' for some weeks after the birth of her child, receiving visitors in her bedchamber. In celebration of a safe delivery, friends and relatives would bring gifts, and the baby's cot would be dressed with elaborate textiles that mimicked adult fashions, designed to show its high status. This particular cot set has been flat quilted. Flat quilting is where two pieces of cloth are stitched together with no wadding in between. A single or double line of stitching creates the pattern. The style of the flowers imitates chintzes and Indian embroideries popular in the late seventeenth and early eighteenth centuries. This set would have been an expensive item, drawn out by a professional pattern drawer and embroidered in a workshop. The two curtains may have been joined together at a later date, possibly in the nineteenth century when this style of cot curtain became popular. Children born into middling and aristocratic households grew up among objects that mirrored adult fashions. Ceremonial items such as this cot set tended to be formal, luxurious and rich in appearance, designed to show off both the baby and the status of the household into which he or she had been born. Here, the style of chainstitch embroidery recalls the fashions for chintzes and Indian embroideries that were popular in the late seventeenth and early eighteenth centuries. |
Bibliographic reference | Sue Prichard (ed.), Quilts 1700-2010 (London: V&A, 2010) p.170
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Collection | |
Accession number | CIRC.531-1923 |
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Record created | September 12, 2008 |
Record URL |
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