Not on display

Six buttons with pastoral scenes

Button
ca. 1780 - ca. 1800 (made)
Artist/Maker
Place of origin

This is a collection of six carved ivory buttons made in France (Dieppe) in about 1780-1800. These buttons are carved with amorini and shepherdesses, with landscape accessories set against a red tinsel background.
The two leading cities for ivory carving were Paris and Dieppe. Luxury items, such as combs were often made in Paris, especially during the sixteenth and seventeenth centuries. During the seventeenth century Dieppe became increasingly significant for small-scale sculpture in ivory, perhaps because it was a port.

Object details

Categories
Object type
Parts
This object consists of 6 parts.

  • Button
  • Button
  • Button
  • Button
  • Button
  • Button
TitleSix buttons with pastoral scenes (named collection)
Materials and techniques
Carved ivory on red tinsel, mounted in glass and gilt metal
Brief description
Set of six buttons, carved ivory on tinsel with glass and metal mounts, depicting amorini and shepherdesses in landscapes, French (Dieppe), ca. 1780-1800
Physical description
Set of six carved ivory buttons each depicting an amorini or shepherdess in a landscape, on a red tinsel background on metal buttons with glass covers.
Dimensions
  • Diameter: 3.6cm
Object history
Bought for £3 in 1870 (vendor unrecorded).
Subjects depicted
Summary
This is a collection of six carved ivory buttons made in France (Dieppe) in about 1780-1800. These buttons are carved with amorini and shepherdesses, with landscape accessories set against a red tinsel background.
The two leading cities for ivory carving were Paris and Dieppe. Luxury items, such as combs were often made in Paris, especially during the sixteenth and seventeenth centuries. During the seventeenth century Dieppe became increasingly significant for small-scale sculpture in ivory, perhaps because it was a port.
Bibliographic references
  • List of Objects in the Art Division, South Kensington, Acquired During the Year 1870, Arranged According to the Dates of Acquisition. London : Printed by George E. Eyre and William Spottiswoode for H.M.S.O., p. 75
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 264, p. 274
Collection
Accession number
860 to E-1870

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Record createdAugust 29, 2008
Record URL
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