The Long Man of Wilmington
Watercolour
1939 (painted)
1939 (painted)
Artist/Maker | |
Place of origin |
Eric Ravilious was a successful designer in many media, but in later life concentrated increasingly on watercolours. His favourite themes were landscapes and rural interiors, often featuring the downland and coast of southern England. He made several paintings of the chalk hill figures. The Wilmington Giant, or the Long Man of Wilmington, cut into the turf of the northern slope of the downs near Eastbourne, is the subject of fierce controversy. Some say it is of great antiquity, and represents a Celtic iron age god, similar to the Roman god Janus, who stands at the doorway to the celestial year. However, recent excavations at the foot of the hill suggest a much more recent date in the late 16th or early 17th century. The purpose of the gigantic figure is still a complete mystery.
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Object details
Category | |
Object type | |
Titles |
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Materials and techniques | Watercolour |
Brief description | Watercolour drawing by Eric Ravilious (1903-1942) depicting 'The Wilmington Giant'. Great Britain, 1939. |
Physical description | Watercolour drawing of the Wilmington Giant chalk man cut into the side of a hill on the South Downs in Sussex. Signed and dated 'Eric Ravilious/August [19]39'. |
Dimensions |
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Style | |
Marks and inscriptions | Eric Ravilious / August 39 (Signed and dated) |
Object history | This drawing was No.1902 in the United Artists Exhibition held at Burlington House, January to march 1940. |
Subjects depicted | |
Places depicted | |
Summary | Eric Ravilious was a successful designer in many media, but in later life concentrated increasingly on watercolours. His favourite themes were landscapes and rural interiors, often featuring the downland and coast of southern England. He made several paintings of the chalk hill figures. The Wilmington Giant, or the Long Man of Wilmington, cut into the turf of the northern slope of the downs near Eastbourne, is the subject of fierce controversy. Some say it is of great antiquity, and represents a Celtic iron age god, similar to the Roman god Janus, who stands at the doorway to the celestial year. However, recent excavations at the foot of the hill suggest a much more recent date in the late 16th or early 17th century. The purpose of the gigantic figure is still a complete mystery. |
Bibliographic references |
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Collection | |
Accession number | P.3-1940 |
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Record created | December 15, 1999 |
Record URL |
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