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Bracelet

Bracelet
2018
Artist/Maker
École Cantonale D'art De Lausanne
Carolien Niebling (designer)
Olli Hirvonen (designer)
Camille Blin (rendering designer)
Place of origin
Lausanne

Carolien Niebling (b. 1984) is a Dutch designer who graduated from the Ecole cantonale d’art de Lausanne (ECAL) in 2014 with a master's degree in Product Design and taught in the same department after. She has since worked as a designer and researcher in Zurich, combining ideas of food and science and publishing her research in The Sausage of the Future in 2017. Olli Hirvonen is a designer who graduated from ECAL in 2014 with a master's degree. Hirvonen became Head of Footwear Design PR & PO at On in 2021.

The 2018 ECAL Digital Market saw the creation of 45 3D printed objects by ECAL Product Design master’s students and ECAL-related designers (faculty members and alumni). A range of innovative everyday objects were presented at Milan Design Week at the Spazio Orso 16, a 17th century Milanese palazzo, which had been turned into a production site and retail shop. The project investigated the possibilities of production on demand, emphasising how fast turnover within the design industry could become, and experimenting with new design details that are too intricate to achieve with traditional manufacturing techniques.

Object details

Object type
Bracelet
TitleBracelet
Materials and techniques
Printed on demand on Formlab printers.
Extruded Plastic
Printed
Brief description
3D printed Bracelet
Physical description
3D printed circular bracelet manufactured in black plastic with an opening with flat ends.
Dimensions
  • Width: 72mm
  • Length: 64mm
  • Height: 8mm
Gallery label
(2021)
Individuality in serial production

Although mass-manufacture requires easily-produced uniform parts, designers have found ways to introduce elements of individual expression to their products. In the 1990s, Dutch designer Hella Jongerius experimented with firing porcelain at very high temperatures to create a dinner service of infinitely irregular plates, bowls and beakers. More recently, the retail concept ECAL Digital Market has exploited the possibilities of 3D printing for serial production. There are over 40 designs that feature details that cannot be achieved in a single step in more conventional manufacture. The designs are available to buy on demand, or customers can purchase a digital file to print the products themselves.

Porcelain beakers, plates and bowl
B-set, 1997 (manufactured 1999–2009)
Designed by Hella Jongerius
Manufactured by Koninklijke Tichelaar Makkum, Netherlands
Porcelain Museum nos. C.142, 148, 149, 152-2009
Museum nos. C.134, 137, 139-2009: Given by Reino Liefkes

3D printer
Form 2, 2018
Designed and manufactured for Formlabs, USA
Plastic, metal and electronic components
Museum no. CD.63.1-2020

3D-printed objects
2018
Designed by Thilo Alex Brunner and Jörg Mettler (flint), Chelsea Park (comb), Miji Noh (scissors), Mu-Hau Kao and Oscar Estrada (trinket tray), Carolien Niebling and Olli Hirvonen (bracelet), Alexis Georgacopoulos (candle holder), ECAL/Ignacio Merino (shoehorn), Big-Game (Whistle) for ECAL, Switzerland
Printed resin
Museum nos. CD.26, 27, 32, 36, 49, 50, 53, 54-2020

The object sits in the 'Automation and Labour' section of the Design 1900-Now gallery opened in June 2021.
Summary
Carolien Niebling (b. 1984) is a Dutch designer who graduated from the Ecole cantonale d’art de Lausanne (ECAL) in 2014 with a master's degree in Product Design and taught in the same department after. She has since worked as a designer and researcher in Zurich, combining ideas of food and science and publishing her research in The Sausage of the Future in 2017. Olli Hirvonen is a designer who graduated from ECAL in 2014 with a master's degree. Hirvonen became Head of Footwear Design PR & PO at On in 2021.

The 2018 ECAL Digital Market saw the creation of 45 3D printed objects by ECAL Product Design master’s students and ECAL-related designers (faculty members and alumni). A range of innovative everyday objects were presented at Milan Design Week at the Spazio Orso 16, a 17th century Milanese palazzo, which had been turned into a production site and retail shop. The project investigated the possibilities of production on demand, emphasising how fast turnover within the design industry could become, and experimenting with new design details that are too intricate to achieve with traditional manufacturing techniques.
Collection
Design, Architecture and Digital Department
Accession number
CD.26-2020

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Record createdJune 24, 2021
Record URL
https://collections.vam.ac.uk/item/O1637973/bracelet-bracelet-carolien-niebling/
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