Costume for a marionette in the Tiller-Clowes troupe, late 19th century thumbnail 1
Costume for a marionette in the Tiller-Clowes troupe, late 19th century thumbnail 2
Not currently on display at the V&A

Costume for a marionette in the Tiller-Clowes troupe, late 19th century

Puppet Costume
ca.1870 (made)
Artist/Maker
Place of origin

This costume is part of the marionette wardrobe used by the Tiller-Clowes marionette troupe from about 1870 until around 1914 when the company stopped presenting their touring shows, due to the increasing popularity of cinema and to male members of the troupe enlisting in the armed forces. The marionettes, costumes, backcloths and accessories had been stored by the Tiller family in a blacksmith's shop in Lincolnshire for over thirty years, and were purchased by the marionette enthusiasts Gerald Morice and George Speaight in 1945 from Harriet Clowes, a member of the Tiller-Clowes family, when they started work on recreating some of the puppets' original repertoire.

Some of the costumes were used when the marionettes took to the stage again as The Old Time Marionettes in August 1951 as part of The Festival of Britain celebrations, at the Riverside Theatre, Festival Gardens, Battersea Park. This was one of twenty three items of costume, parts of costume and accessories that remained in George Speaight's attic, and were presented to the museum by his son, who inherited them after his father's death in 2005.

Marionette troupes presented condensed versions of popular plays, pantomimes and melodramas with live musical accompaniment in fit-up canvas booths at fairgrounds and marketplaces, along with 'curtain-raising' Variety turns including singing and feats of acrobatics and tightrope-walking. Their costumes were modelled on those worn by contemporary performers on the human stage, and would have been made by members of the family. The V&A owns 35 of the figures, a fraction of their full working troupe but probably the largest surviving group from a 19th-century touring marionette theatre in Great Britain.


Object details

Categories
Object type
Parts
This object consists of 3 parts.
(Some alternative part names are also shown below)
  • Marionette Costume
  • Jacket (Formal)
  • Marionette Costume
  • Jacket (Formal)
  • Marionette Costume
  • Jacket (Formal)
TitleCostume for a marionette in the Tiller-Clowes troupe, late 19th century (generic title)
Materials and techniques
Cotton, satin, cotton lace, decorated with glass beads and gold sequin trim, sewn by hand
Brief description
Costume for a marionette in the Tiller-Clowes troupe, comprising jacket, breeches and cape, probably for an acrobat. Made by a member of the family, Lincolnshire, 1870s-1890s
Physical description
S.427:1-2021
Male marionette's cream satin bolero jacket with three amber beads and ruffled coffee cotton lace trim at the cuffs. A remnant of thread shows there were originally four amber beads. Decorated on the front, cuffs and waistline with gold sequin trim.

S.427:2-2021
Male marionette's cream satin breeches with ruffled coffee cotton lace at the knee hems. Decorated with gold sequin trim on the side seams and fastened at the waist by a drawstring within a turned casing.

S.427:3-2021
Male marionette's cream satin cape, gathered at the neckline and darted to create volume. Decorated around the curved edge with gold sequin trim.
Dimensions
  • Jacket, centre front, hem of collar to point of dagged hem length: 33.5cm (jacket length)
  • Jacket, arm seam to cuff length: 25.0cm (sleeve length)
  • Breeches, waist to hem length: 28.5cm (leg length)
  • Breeches, opened out width: 24.0cm (waist opened out) (Note: Measurement before closure with the drawstring)
  • Cape, centre back, neckline to hemline length: 36.5cm (maximum length)
  • Cape, across widest part width: 36.5cm (maximum width)
Credit line
Accepted by HM Government in Lieu of Inheritance Tax and allocated to the V&A in 2010
Object history
This costume, along with marionettes from the Tiller troupe and three of their original backcloths, had been stored in a blacksmith's shop in Lincolnshire for over thirty years, but in 1945 were purchased by Gerald Morice and George Speaight who began working on recreating some of the puppets' original repertoire. Some of them were used when the marionettes took to the stage again as The Old Time Marionettes in August 1951 as part of The Festival of Britain celebrations, at the Riverside Theatre, Festival Gardens, Battersea Park. In the 1980s George Speaight lent the troupe to puppeteers in Germany. In the late 1990s he sold them to John Phillips, whose widow sold them in turn to the Theatre Museum after her husband's death in 1998. This was one of twenty three items of costume, parts of costume and accessories that remained in George Speaight's attic, and were presented to the museum by his son, who inherited them after his father's death in 2005.
Summary
This costume is part of the marionette wardrobe used by the Tiller-Clowes marionette troupe from about 1870 until around 1914 when the company stopped presenting their touring shows, due to the increasing popularity of cinema and to male members of the troupe enlisting in the armed forces. The marionettes, costumes, backcloths and accessories had been stored by the Tiller family in a blacksmith's shop in Lincolnshire for over thirty years, and were purchased by the marionette enthusiasts Gerald Morice and George Speaight in 1945 from Harriet Clowes, a member of the Tiller-Clowes family, when they started work on recreating some of the puppets' original repertoire.

Some of the costumes were used when the marionettes took to the stage again as The Old Time Marionettes in August 1951 as part of The Festival of Britain celebrations, at the Riverside Theatre, Festival Gardens, Battersea Park. This was one of twenty three items of costume, parts of costume and accessories that remained in George Speaight's attic, and were presented to the museum by his son, who inherited them after his father's death in 2005.

Marionette troupes presented condensed versions of popular plays, pantomimes and melodramas with live musical accompaniment in fit-up canvas booths at fairgrounds and marketplaces, along with 'curtain-raising' Variety turns including singing and feats of acrobatics and tightrope-walking. Their costumes were modelled on those worn by contemporary performers on the human stage, and would have been made by members of the family. The V&A owns 35 of the figures, a fraction of their full working troupe but probably the largest surviving group from a 19th-century touring marionette theatre in Great Britain.
Collection
Accession number
S.427:1 to 3-2021

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Record createdMay 14, 2021
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