Not on display

Maud Allan

Photograph
ca.1908 (photographed)
Artist/Maker
Place of origin

Maud Allan (born Beulah Maud Durrant on 27 August 1873 in Toronto, Canada, and died 7 October 1956 in Los Angeles, USA) was a dancer who, from 1903, performed her own free style of movement to visualise music. She was most closely associated with the Vision of Salomé which she first performed for an invited audience in Vienna in December 1906. In September 1907 Allan was invited to perform it for Edward VII at Marienbad which led to her being booked for the Palace Theatre, London. Initially engaged for two weeks from 6 March 1908 she was continuously on the bill until 23 October, when she sprained her ankle. During her career she created some 55 dances or suites of dances and continued to perform until 1934. Her later roles included the Abbess in Max Reinhardt's The Miracle in 1932.

Object details

Categories
Object type
TitleMaud Allan (generic title)
Materials and techniques
Photograph on card mount
Brief description
Half-length photographic portrait by Foulsham & Banfield of Maud Allan, ca.1908
Physical description
Studio portrait of Maud Allan, in fur coat and hat with floral and feathered decoration, half-length. The photograph is double mounted but the second mount, inscribed, has been cut down.
Dimensions
  • Photograph height: 12.4cm
  • Photograph width: 7.8cm
Marks and inscriptions
'To Mar Gabrielle / in remembrance of / Honey' (Dedication on mount)
Credit line
Gabrielle Enthoven Collection
Summary
Maud Allan (born Beulah Maud Durrant on 27 August 1873 in Toronto, Canada, and died 7 October 1956 in Los Angeles, USA) was a dancer who, from 1903, performed her own free style of movement to visualise music. She was most closely associated with the Vision of Salomé which she first performed for an invited audience in Vienna in December 1906. In September 1907 Allan was invited to perform it for Edward VII at Marienbad which led to her being booked for the Palace Theatre, London. Initially engaged for two weeks from 6 March 1908 she was continuously on the bill until 23 October, when she sprained her ankle. During her career she created some 55 dances or suites of dances and continued to perform until 1934. Her later roles included the Abbess in Max Reinhardt's The Miracle in 1932.
Collection
Accession number
S.69-2021

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Record createdMay 10, 2021
Record URL
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