Plate thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Europe 1600-1815, Room 3

Plate

ca. 1740 (made)
Artist/Maker
Place of origin

During the eighteenth century, potters working in the Italian tradition of tin-glazed earthenware had to compete with porcelain, this most fashionable new material. They made their wares thinner and adopted porcelain shapes.
This plate, made in Lombardy, northern Italy, has a sketchily drawn, vivid depiction of oriental figures an animals amongst trees. The figures and trees are spread out evenly accost the surface very much like a pattern on painted wallpaper or textiles.


Object details

Categories
Object type
Materials and techniques
Tin-glazed earthenware
Brief description
Plate depicting a Turkish woman standing, two seated Chinamen, a lynx and a bird, made in Lombardy (Italy), 1740-50, tin-glazed earthenware
Physical description
Polychrome maiolica plate depicting a Turkish woman standing, two seated Chinamen, a lynx and a bird amongst trees.
Dimensions
  • Diameter: 23.5cm
Gallery label
  • Plate with a woman in Turkish dress About 1740 This plate combines turquerie and chinoiserie elements. The woman wears a loose approximation of Turkish dress but is flanked by two seated ‘Chinese’ figures. European artists were often indifferent to, or ignorant of, Asian geography, and frequently combined features from China, Japan, India and the Middle East. Italy (Lombardy) Tin-glazed earthenware, painted (09/12/2015)
  • Plate Made in Italy 1750-60 Tin-glazed earthenware 385-1869(16/07/2008)
Object history
Purchase price note: Bought for 8s.
Production

Summary
During the eighteenth century, potters working in the Italian tradition of tin-glazed earthenware had to compete with porcelain, this most fashionable new material. They made their wares thinner and adopted porcelain shapes.
This plate, made in Lombardy, northern Italy, has a sketchily drawn, vivid depiction of oriental figures an animals amongst trees. The figures and trees are spread out evenly accost the surface very much like a pattern on painted wallpaper or textiles.
Bibliographic references
  • F. Ferrari, La Ceramica di Lodi, Lodi, 2003, p. 168 cat. 98, for a similar dish with similar decoration depicting a man in Turkish costume in a private collection in Lodi.
  • Rackham, Bernard. Catalogue of Italian Maiolica, London : H.M.S.O., 1977
Other number
1237 - Rackham (1977)
Collection
Accession number
385-1869

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Record createdJuly 16, 2008
Record URL
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