Ensemble
September 2018 (made)
Artist/Maker | |
Place of origin |
NKWO works with small-scale artisan makers across the African continent that specialise in hand crafts such as hand dyeing, weaving, beading and embroidery.
The blue and white colour palette of this outfit is typical of NKWO’s aesthetic. The coat and bra top of this outfit are made from NKWO’s signature Dakala cloth, a fabric developed in the NKWO studio as a way to re-use fabric offcuts. The technique is inspired by strip weaving and involves a process of stripping and sewing together sections of waste fabric derived from, for instance, discarded denim garments or cutting table waste. NKWO’s Dakala cloth was nominated for the Fashion category of the Beazley Designs of the Year 2020. The coat is embellished with flax fringing and recycled mirror beading. It was made in Abuja, Nigeria. As well as the Dakala cloth, NKWO tends to use traditional fabrics in natural fibres such as cotton made in Nigeria and applies these to unconventional and contemporary shapes and styles, or reworked traditional silhouettes.
The outfit is from the Spring/Summer 2019 collection, shown at Lagos Fashion Week in November 2018 and consists of a coat, a bra top, a skirt and a gele. The collection, titled ‘WHO KNEW’, was inspired by the stories of displaced peoples and victims of human trafficking. Each model wore a headpiece or gele created from a distinctive checked woven nylon tote bag, also known as ‘Ghana-must-go’ bags in much of West Africa, which stood to represent how people had carried all their possessions in these bags, or on their heads, when leaving their homes. This ensemble was modelled on the catwalk by well-known fashion stylist, retailer and entrepreneur Ezinne Chinkata.
The blue and white colour palette of this outfit is typical of NKWO’s aesthetic. The coat and bra top of this outfit are made from NKWO’s signature Dakala cloth, a fabric developed in the NKWO studio as a way to re-use fabric offcuts. The technique is inspired by strip weaving and involves a process of stripping and sewing together sections of waste fabric derived from, for instance, discarded denim garments or cutting table waste. NKWO’s Dakala cloth was nominated for the Fashion category of the Beazley Designs of the Year 2020. The coat is embellished with flax fringing and recycled mirror beading. It was made in Abuja, Nigeria. As well as the Dakala cloth, NKWO tends to use traditional fabrics in natural fibres such as cotton made in Nigeria and applies these to unconventional and contemporary shapes and styles, or reworked traditional silhouettes.
The outfit is from the Spring/Summer 2019 collection, shown at Lagos Fashion Week in November 2018 and consists of a coat, a bra top, a skirt and a gele. The collection, titled ‘WHO KNEW’, was inspired by the stories of displaced peoples and victims of human trafficking. Each model wore a headpiece or gele created from a distinctive checked woven nylon tote bag, also known as ‘Ghana-must-go’ bags in much of West Africa, which stood to represent how people had carried all their possessions in these bags, or on their heads, when leaving their homes. This ensemble was modelled on the catwalk by well-known fashion stylist, retailer and entrepreneur Ezinne Chinkata.
Object details
Categories | |
Object type | |
Parts | This object consists of 6 parts.
|
Materials and techniques | Denim, acetate (lining), flax, glass, plastic, cotton, |
Brief description | Ensemble, Dakala cloth coat, bra top, skirt and gele, 'WHO KNEW' collection, designed by Nkwo Onwuka for NKWO, Abuja, Nigeria, Spring/Summer 2019 collection, made in 2018 |
Physical description | The coat and bra top of this outfit are made from NKWO’s signature Dakala cloth, a fabric developed in the NKWO studio as a way to re-use fabric offcuts. The technique is inspired by strip weaving and involves a process of stripping and sewing together sections of waste fabric derived from, for instance, discarded denim garments or cutting table waste. |
Dimensions |
|
Production type | small batch |
Gallery label |
|
Credit line | Purchased with funds from the Sue Smith bequest |
Production | Made in September 2018 for Spring/Summer 2019 collection |
Summary | NKWO works with small-scale artisan makers across the African continent that specialise in hand crafts such as hand dyeing, weaving, beading and embroidery. The blue and white colour palette of this outfit is typical of NKWO’s aesthetic. The coat and bra top of this outfit are made from NKWO’s signature Dakala cloth, a fabric developed in the NKWO studio as a way to re-use fabric offcuts. The technique is inspired by strip weaving and involves a process of stripping and sewing together sections of waste fabric derived from, for instance, discarded denim garments or cutting table waste. NKWO’s Dakala cloth was nominated for the Fashion category of the Beazley Designs of the Year 2020. The coat is embellished with flax fringing and recycled mirror beading. It was made in Abuja, Nigeria. As well as the Dakala cloth, NKWO tends to use traditional fabrics in natural fibres such as cotton made in Nigeria and applies these to unconventional and contemporary shapes and styles, or reworked traditional silhouettes. The outfit is from the Spring/Summer 2019 collection, shown at Lagos Fashion Week in November 2018 and consists of a coat, a bra top, a skirt and a gele. The collection, titled ‘WHO KNEW’, was inspired by the stories of displaced peoples and victims of human trafficking. Each model wore a headpiece or gele created from a distinctive checked woven nylon tote bag, also known as ‘Ghana-must-go’ bags in much of West Africa, which stood to represent how people had carried all their possessions in these bags, or on their heads, when leaving their homes. This ensemble was modelled on the catwalk by well-known fashion stylist, retailer and entrepreneur Ezinne Chinkata. |
Collection | |
Accession number | T.115:1to4-2021 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 26, 2021 |
Record URL |
Download as: JSONIIIF Manifest