Wallpaper thumbnail 1
Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case MM, Shelf 12

Wallpaper

ca. 1875-1878 (made)
Artist/Maker
Place of origin

Object Type
In Britain paper printed or painted with patterns has been used for decorating walls since the 16th century. By the late 1860s it had become fashionable to divide the walls into three sections, and to use different but complementary wallpaper patterns for each section. This panel was made for display purposes and has all three patterns printed as one piece.

Ownership & Use
Wallpaper decorations of this kind were first described by Charles Eastlake in his guide to home decorating Hints on Household Taste, which was first published in 1868. He approved of them because he thought that having only one pattern on the wall could be monotonous. By the 1880s this style of decorating was commonplace. In their advertisements Jeffrey & Co. offered a great variety of designs for dado, filling and frieze suitable for private residences.

Design & Designing
The dado was the bottom section of the wall, below the chair rail; the filling was the deepest section, between the chair rail and the picture rail; above this was the narrowest band, the frieze. Paintings were hung from the picture rail, with the filling as their background, so this was generally the simplest and most restrained pattern of the three. In 1886 a writer in the Journal of Decorative Art set out the basic principles for designing such papers. He said, 'The frieze should be light and lively; richer colours should be employed than in the filling, and it should be as striking to the eye as the dado'.


Object details

Categories
Object type
Materials and techniques
Colour block print on paper
Brief description
Decorators specimen of wallpaper (dado, filling and frieze); floral and foliate designs and a geometric pattern in yellow and gold, with a border featuring pomegranate fruit and branches; Colour print from wood blocks, on paper; (Partly?) designed by Bruce James Talbert; Produced by Jeffrey & Co.; England; ca. 1875-1878.
Physical description
Decorators specimen of wallpaper (dado, filling and frieze); floral and foliate designs and a geometric pattern in yellow and gold, with a border featuring pomegranate fruit and branches; The general flavour of this ensemble of papers is Anglo-Japanese, although very few individual motifs can be directly linked to the Far East; Colour print from wood blocks, on paper.
Dimensions
  • Height: 180cm
  • Width: 51.4cm
Dimensions checked: Registered Description;
Marks and inscriptions
A 448 / Frieze . . . 18d. per yd. / Paper . . . 12d. " / Dado Border . 9d. " / Dado . . . 12d. " (Lettered on small piece of paper attached to the margin above the design.)
Gallery label
British Galleries: By 1880 it was very fashionable to decorate walls in three horizontal sections (frieze, filling and dado). Although this specimen panel was printed as one piece, usually the three parts would be produced as separate papers. They were combined according to the choice of the customer or decorator.(27/03/2003)
Summary
Object Type
In Britain paper printed or painted with patterns has been used for decorating walls since the 16th century. By the late 1860s it had become fashionable to divide the walls into three sections, and to use different but complementary wallpaper patterns for each section. This panel was made for display purposes and has all three patterns printed as one piece.

Ownership & Use
Wallpaper decorations of this kind were first described by Charles Eastlake in his guide to home decorating Hints on Household Taste, which was first published in 1868. He approved of them because he thought that having only one pattern on the wall could be monotonous. By the 1880s this style of decorating was commonplace. In their advertisements Jeffrey & Co. offered a great variety of designs for dado, filling and frieze suitable for private residences.

Design & Designing
The dado was the bottom section of the wall, below the chair rail; the filling was the deepest section, between the chair rail and the picture rail; above this was the narrowest band, the frieze. Paintings were hung from the picture rail, with the filling as their background, so this was generally the simplest and most restrained pattern of the three. In 1886 a writer in the Journal of Decorative Art set out the basic principles for designing such papers. He said, 'The frieze should be light and lively; richer colours should be employed than in the filling, and it should be as striking to the eye as the dado'.
Bibliographic references
  • Oman, Charles C., and Hamilton, Jean. Wallpapers: a history and illustrated catalogue of the collection of the Victoria and Albert Museum. London: Sotheby Publications, in association with the Victoria and Albert Museum, 1982.
  • Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1953 London: HMSO, 1963
  • Julius Bryant, ed. Art and Design for All. The Victoria and Albert Museum London: V&A Publishing, 2011. ISBN: 9781851776665.
Collection
Accession number
E.660-1953

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Record createdDecember 15, 1999
Record URL
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