Miniature thumbnail 1
Miniature thumbnail 2
Not currently on display at the V&A

Miniature

1793 (made)
Artist/Maker
Place of origin

Nicolas Soret was born in Geneva, one of the main centres for enamel painting. Political turmoil forced Soret to leave Geneva for Ireland in 1783. He then travelled to Russia, where he became court miniature painter to Catherine the Great and Tsar Paul I.

In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. This enamel portraiture in miniature was a truly international art. Many enamellers travelled in order to find new markets, while others migrated to escape religious persecution. Enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Materials and techniques
Enamel on copper, ormolu (gilded copper-alloy) frame
Brief description
Enamel miniature on copper of Count Peter Vassilievich Zavadovsky, in an ormolu frame with enamel, St. Petersburg, 1793, by Nicholas Soret.
Physical description
Oval miniature portrait of Count Peter Vassilievich Zavadovsky wearing a green uniform with the Imperial Russian Orders of St. George, St. Alexander Nevsky and St. Andrew. The miniature is enamel on copper and the frame is of enamel and pierced gilt-metal.
Dimensions
  • Height: 13.1cm
  • Width: 8.3cm
  • Depth: 1.5cm
Measured 29/01/24 IW
Marks and inscriptions
Signed and dated 'Soret px / 1793'
Gallery label
  • 10. Count Peter Vassilievich Zavadovsky 1793 Geneva, where Nicolas Soret was born, was one of the main centres of enamel painting. He later became court miniature painter to Catherine the Great of Russia. St Petersburg, Russia; Nicolas Soret (1759–1830) Enamel on copper in later gilded copper-alloy frame Museum no. Loan:Gilbert.252-2008(16/11/2016)
  • Count Peter Vassilievich Zavadovsky 1793 Geneva, where Nicolas Soret was born, was one of the main centres of enamel painting. Political turmoil forced Soret to leave for Ireland in 1783. He then travelled to Russia, where he became court miniature painter to Catherine the Great. St Petersburg, Russia; Nicolas Soret (1759–1830) Enamel on copper in later gilded copper-alloy frame Museum no. Loan:Gilbert.252-2008(2009)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: D.S. Lavender, London, 01/10/1982.
Subject depicted
Summary
Nicolas Soret was born in Geneva, one of the main centres for enamel painting. Political turmoil forced Soret to leave Geneva for Ireland in 1783. He then travelled to Russia, where he became court miniature painter to Catherine the Great and Tsar Paul I.

In the 17th century, new techniques of painting enamels allowed delicate portraits resembling tiny oil paintings to be created. This enamel portraiture in miniature was a truly international art. Many enamellers travelled in order to find new markets, while others migrated to escape religious persecution. Enamel miniatures were first fashionable in continental Europe, but were particularly in vogue in Britain from the 1720s to 1760s.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Hofstetter, Bodo, 'La Miniature sur émail suisse à la fin du XVIIIe siècle'.In: Genoud, Jean-Claude (ed.), 100 ans de miniatures suisses 1780-1880. Musée historique de Lausanne; Geneva: Slatkine, 1999, p. 70, ill. p. 71, fig. 94.
  • Coffin, Sarah and Bodo Hofstetter. Portrait Miniatures in Enamel. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 50, pp. 101-102. ISBN 0856675334.
Other numbers
  • 1996.808.1 - The Gilbert Collection, Somerset House
  • MIN 42 - Arthur Gilbert Number
  • 1996.791.1 - The Gilbert Collection, Somerset House
  • MIN 26 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.252-2008

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 26, 2008
Record URL
Download as: JSONIIIF Manifest