Miniature thumbnail 1
Not on display

Miniature

1756 (made)
Artist/Maker
Place of origin

George Spencer (1739-1817) succeeded his father to become 4th Duke of Marlborough in 1758. In 1762 he was made Lord Chamberlain, and a year later Lord Privy Seal. He lived at Blenheim Palace. Before he become a miniaturist, Gervase Spencer was employed as a gentleman's servant. He became a successful miniature painter on the newly fashionable base of ivory and later also produced work in enamel.

Continental artists first introduced enamel painting to England in the 17th century. But it was in the early 18th century that it became fashionable. The young German Christian Friedrich Zincke dominated the market in London. It was Zincke who trained a number of English artists, including William Prewett. Most artists working in enamel were taught by an experienced enameller. It is not known who trained Gervase Spencer this difficult art, but he later taught Henry Spicer, who in turn taught William Birch. In 1794 Birch successfully established himself in America as an enamel painter.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.

Object details

Categories
Object type
Materials and techniques
Enamel on copper, gilt-brass and copper, gold and silver alloy tortoiseshell frames
Brief description
Enamel miniature on copper of George Spencer, 4th Duke of Marlborough, in a gilt-brass and copper, gold and silver alloy tortoiseshell frames, England, 1756, by Gervase Spencer.
Physical description
Oval miniature bust length portrait of George Spencer, 4th Duke of Marlborough shown with powdered hair wearing a red and blue uniform. The miniature is enamel on copper and the original oval frame of gilt-brass with a gold front is set in a later rectangular tortoiseshell and copper, gold and silver alloy frame.
Dimensions
  • Height: 7.8cm
  • Width: 4.5cm
Measured 02/05/24 IW
Marks and inscriptions
  • Signed and dated 'G.S./1756' (In red on lower right)
  • Inscribed 'George Spencer, Duke of Marlborough, from Rev Hawkins Collection' (On paper label on reverse)
Gallery label
(2009)
George Spencer, 4th Duke of Marlborough
1756

George Spencer (1739–1817) succeeded his father to
become 4th Duke of Marlborough in 1758. He lived
at Blenheim Palace.

England; Gervase Spencer (about 1715–63)
Enamel on copper in original gilded brass rim,
set in later frame of tortoiseshell and copper,
gold and silver alloy
Signed and dated in red on lower right ‘G.S. 1756’;
inscribed on paper label on reverse
‘George Spencer Duke of Marlborough
from Rev Hawkins Collection’
Museum no. Loan:Gilbert.277-2008
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Reverend Hawkins Collection. D.S. Lavender, 1980.
Subjects depicted
Summary
George Spencer (1739-1817) succeeded his father to become 4th Duke of Marlborough in 1758. In 1762 he was made Lord Chamberlain, and a year later Lord Privy Seal. He lived at Blenheim Palace. Before he become a miniaturist, Gervase Spencer was employed as a gentleman's servant. He became a successful miniature painter on the newly fashionable base of ivory and later also produced work in enamel.

Continental artists first introduced enamel painting to England in the 17th century. But it was in the early 18th century that it became fashionable. The young German Christian Friedrich Zincke dominated the market in London. It was Zincke who trained a number of English artists, including William Prewett. Most artists working in enamel were taught by an experienced enameller. It is not known who trained Gervase Spencer this difficult art, but he later taught Henry Spicer, who in turn taught William Birch. In 1794 Birch successfully established himself in America as an enamel painter.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic reference
Coffin, Sarah and Bodo Hofstetter. Portrait Miniatures in Enamel. London: Philip Wilson Publishers Ltd. in association with the Gilbert Collection, 2000. 168 p., ill. Cat. no. 52, p. 103. ISBN 0856675334.
Other numbers
  • 1996.786.1 - The Gilbert Collection, Somerset House
  • MIN 21 - Arthur Gilbert Number
  • 1996.791.1 - The Gilbert Collection, Somerset House
  • MIN 26 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.277-2008

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Record createdJune 26, 2008
Record URL
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