Casting Bottle
1553-1554 (hallmarked)
Artist/Maker | |
Place of origin |
This bottle, with its characteristic flagon shape, was used to hold and sprinkle rose water or other scented essence. Such objects were highly fashionable but never particularly common. Now there are only four known surviving examples of pear-shaped casting bottles, of which this is the least altered or damaged. The decoration of the piece is indicative of an early Renaissance style, which went out of fashion around the middle of the 16th century.
This piece is an example of 16th century domestic silver. Such silver was both functional and ornamental. Objects for dining and drinking took elegant forms and were decorated in the latest styles. Beautifully crafted items intended only for display often adopted functional forms such as cups and dishes. Domestic silver was not confined to the most wealthy. Many people owned silver spoons or mounted vessels, items which often became treasured possessions.
Sir Arthur and Rosalinde Gilbert began collecting in the 1960s and over a period of 40 years formed one of the world’s great private collections of decorative arts. The collection consists of over 800 objects from the fields of European gold and silver, Italian mosaics and hardstone, portrait enamels and gold boxes. Sir Arthur Gilbert donated his extraordinary collection to Britain in 1996 to be housed at Somerset House, London, having previously been displayed at Los Angeles County Museum of Art (LACMA). In 2008 the collection was moved to dedicated galleries in the V&A, where a selection has been on permanent display ever since.
This piece is an example of 16th century domestic silver. Such silver was both functional and ornamental. Objects for dining and drinking took elegant forms and were decorated in the latest styles. Beautifully crafted items intended only for display often adopted functional forms such as cups and dishes. Domestic silver was not confined to the most wealthy. Many people owned silver spoons or mounted vessels, items which often became treasured possessions.
Sir Arthur and Rosalinde Gilbert began collecting in the 1960s and over a period of 40 years formed one of the world’s great private collections of decorative arts. The collection consists of over 800 objects from the fields of European gold and silver, Italian mosaics and hardstone, portrait enamels and gold boxes. Sir Arthur Gilbert donated his extraordinary collection to Britain in 1996 to be housed at Somerset House, London, having previously been displayed at Los Angeles County Museum of Art (LACMA). In 2008 the collection was moved to dedicated galleries in the V&A, where a selection has been on permanent display ever since.
Object details
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Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Raised, cast, embossed, punched and pierced silver-gilt |
Brief description | Silver-gilt casting bottle, London, 1553-54 |
Physical description | A pear-shaped bottle of oval section embossed with two sprays of foliage above a row of bosses and lobed bottom, with a chain attached on each side by dragon loops. The body surmounts an extremely waisted neck and flaring foot which has been chased with foliate decoration on a punched matted ground. Between two ribs on the neck, chased trellis- and scrollwork, make a visual break between the deeply chased body and the equally chased domed screw-on cover with baluster finial. |
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Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance: Sale, Sotheby's, lot 46, May 3, 1984. Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1984. |
Subjects depicted | |
Summary | This bottle, with its characteristic flagon shape, was used to hold and sprinkle rose water or other scented essence. Such objects were highly fashionable but never particularly common. Now there are only four known surviving examples of pear-shaped casting bottles, of which this is the least altered or damaged. The decoration of the piece is indicative of an early Renaissance style, which went out of fashion around the middle of the 16th century. This piece is an example of 16th century domestic silver. Such silver was both functional and ornamental. Objects for dining and drinking took elegant forms and were decorated in the latest styles. Beautifully crafted items intended only for display often adopted functional forms such as cups and dishes. Domestic silver was not confined to the most wealthy. Many people owned silver spoons or mounted vessels, items which often became treasured possessions. Sir Arthur and Rosalinde Gilbert began collecting in the 1960s and over a period of 40 years formed one of the world’s great private collections of decorative arts. The collection consists of over 800 objects from the fields of European gold and silver, Italian mosaics and hardstone, portrait enamels and gold boxes. Sir Arthur Gilbert donated his extraordinary collection to Britain in 1996 to be housed at Somerset House, London, having previously been displayed at Los Angeles County Museum of Art (LACMA). In 2008 the collection was moved to dedicated galleries in the V&A, where a selection has been on permanent display ever since. |
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Collection | |
Accession number | Loan:Gilbert.579:1,2-2008 |
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Record created | June 26, 2008 |
Record URL |
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