Epergne
1763-64 (hallmarked)
Artist/Maker | |
Place of origin |
The word epergne describes a type of table decoration that is known from the mid 18th century. In spite of the French sound of the term, it cannot be traced back to French origins, though the form itself seems to be inspired by French silver centrepieces. It is in fact distinctly British and largely absent from the continent.
Epergnes often consist of a central basket surrounded by smaller baskets hung on branches. These would have been filled with delicacies such as fruit or sweetmeats. This example is typical of Thomas Pitts, an interesting combination of Rococo scrolls, foliage and shells, with the taste for exoticism. Its overall shape is that of a Chinese pagoda, often seen in English gardens at the time. It is surmounted by a pineapple, a symbol of wealth popular in architecture and decorative art since the late 17th century.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Epergnes often consist of a central basket surrounded by smaller baskets hung on branches. These would have been filled with delicacies such as fruit or sweetmeats. This example is typical of Thomas Pitts, an interesting combination of Rococo scrolls, foliage and shells, with the taste for exoticism. Its overall shape is that of a Chinese pagoda, often seen in English gardens at the time. It is surmounted by a pineapple, a symbol of wealth popular in architecture and decorative art since the late 17th century.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
Object type | |
Parts | This object consists of 27 parts.
|
Materials and techniques | Raised, pierced and cast silver. |
Brief description | Epergne on four scroll feet with lower domed support for central basket and pagoda-shaped canopy on palm supports above, with four scroll branches, each supporting a small dish, and four more branches, each supporting a small handled basket |
Physical description | An epergne standing on four pierced and chased scroll feet with openwork flower-and-scroll aprons between. The lower part is formed as a pierced and domed support for the central shaped oval basket; above is a pierced pagoda-shaped canopy on four palm supports. The canopy is pierced and chased with trelliswork and has floral swags at the border and a pineapple finial. Four scroll branches, each supporting a small dish, spring from the support above the feet, and four more branches, each supporting a small basket with a swing handle, issue from the base of the basket frame. The large central basket and smaller dishes and baskets have pierced trelliswork-and-scroll sides and scroll-and-flower borders; the smaller containers are engraved with a coat of arms and the large one with a crest. |
Dimensions |
|
Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance: D. & J. Wellby, Garrick Street, London, 19th century; poss. Partridge, London |
Historical context | The arms are those of Knightley impaling Dashwood, for Lucy Knightley (1741-1791). He married Catherine, daughter of Sir James Dashwood in 1764. It is possible that this epergne was commissioned on occasion of the wedding. |
Summary | The word epergne describes a type of table decoration that is known from the mid 18th century. In spite of the French sound of the term, it cannot be traced back to French origins, though the form itself seems to be inspired by French silver centrepieces. It is in fact distinctly British and largely absent from the continent. Epergnes often consist of a central basket surrounded by smaller baskets hung on branches. These would have been filled with delicacies such as fruit or sweetmeats. This example is typical of Thomas Pitts, an interesting combination of Rococo scrolls, foliage and shells, with the taste for exoticism. Its overall shape is that of a Chinese pagoda, often seen in English gardens at the time. It is surmounted by a pineapple, a symbol of wealth popular in architecture and decorative art since the late 17th century. Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
Bibliographic references |
|
Other numbers |
|
Collection | |
Accession number | LOAN:GILBERT.689:1-2008 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 26, 2008 |
Record URL |
Download as: JSONIIIF Manifest