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Plaque

1800-1840 (made)
Artist/Maker
Place of origin

This plaque exemplifies the technical skill artists such as Antonio Aguatti brought to the technique of micromosaic. The work is made up of some of the smallest tesserae known, rendering a highly naturalistic image.

The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.

Object details

Category
Object type
Parts
This object consists of 4 parts.

  • Plaque
  • Frame
  • Stand
  • Nail
Materials and techniques
Micromosaic and gilt frame
Brief description
Micromosaic within a gilt frame, Rome, 1800-1840, by Antonio Aguatti.
Physical description
Round micromosaic plaque with a depiction of a recumbent leopard with its head on the viewer's right and its front paws crossed. The leopard is situated beneath an overhanging rock, with pieces of foliage projecting from below. The mosaic is signed on the lower right and is within a round gilt frame.
Dimensions
  • Diameter: 7.5cm
Measured 19/02/24 IW
Marks and inscriptions
Signed 'Aguatti' for Antonio Aguatti
Gallery label
(16/11/2016)
11. Plaque with leopard
1800–40

Rome, Italy; signed by Antonio Aguatti (died 1846)
Glass micromosaic
Museum no. Loan:Gilbert.202:1-2008
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Graus Antiques, London, 1975.

Historical significance: The leopard's tiny ears suggest that the image may be taken from paintings of small-eared leopards by George Stubbs (1724-1806).
Historical context
The tesserae used are amongst the smallest recorded and demonstrate the quality of Aguatti's work.
Subject depicted
Summary
This plaque exemplifies the technical skill artists such as Antonio Aguatti brought to the technique of micromosaic. The work is made up of some of the smallest tesserae known, rendering a highly naturalistic image.

The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic references
  • Petochi, Domenico, Massimo Alfieri, Maria Grazia Branchetti. I mosaici minuti romani dei secoli XVII e XIX, Rome: A.B.E.T.E.-Petochi, 1981, fig. 16.
  • Italian Art and Antiques, 1996, p. 49.
Other numbers
  • MM 222 - Arthur Gilbert Number
  • MM 297 - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.202:1 to 4-2008

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Record createdJune 26, 2008
Record URL
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