Standing Dish thumbnail 1
Standing Dish thumbnail 2
Not currently on display at the V&A

Standing Dish

1725-1726 (hallmarked)
Artist/Maker
Place of origin

This dish and its accompanying bowl, still in brilliant condition, were made for John Spencer, grandson of the 1st Duke of Marlborough. They were formerly at the Spencer family home, Althorp, in Northamptonshire, where the bowl was traditionally used for christenings.

When the Catholic King Louis XIV revoked the Edict of Nantes in 1685, Huguenots (French Protestants) were forced to leave the country. Many were craftsmen who settled in London. Their technical skills and fashionable French style ensured the luxury silver, furniture, watches and jewellery they made were highly sought after. Huguenot specialists transformed English silver by introducing higher standards of craftsmanship. They promoted new forms, such as the soup tureen and sauceboat, and introduced a new repertoire of ornament, with cast sculptural details and exquisite engraving.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Materials and techniques
Raised, cast, moulded, punched, pricked and engraved silver
Brief description
Silver, London hallmarks for 1725-6, mark of Paul de Lamerie
Physical description
The shaped circular dish rests on a stepped, spreading foot moulded with a band of gadroons. The rim is composed of an applied border of scrolls, rosettes, foliage and shells, with a band of matting and pricked scalework within. Engraved slightly later, the arms of Spencer impaling Carteret is found at centre within a drapery cartouche.
Dimensions
  • Diameter: 19.3cm
  • Weight: 562g
Style
Marks and inscriptions
  • Engraved with the arms of the Spencer and Carteret families; for Spencer Quarterly argent and gules, in the second and third quarters a fret or, on a bend sable three escallops of the first and for Carteret four fusils in fess argent
  • London hallmarks for 1725-26
  • Mark of Paul de Lamerie
Gallery label
(Gallery 71, case 4) 2, 4. Bowl and dish Bowl, 1723–24. Dish, 1725–26 This bowl and dish demonstrate how de Lamerie developed his repertoire of ornamental pieces. The border of the dish is copied from one by his former master Pierre Platel, made 20 years earlier. De Lamerie added shells to enhance it. Over time such small changes created shifts in style. London, England; Paul de Lamerie (1688–1751) Silver Engraved with arms of the Spencer and Carteret families Museum nos. Loan:Gilbert.651, 652-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: The Hon. John Spencer, Althorp, Northamptonshire. By descent to the earls Spencer. Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1981.

The Hon. John Spencer (d.1746) married in 1734 Lady Georgiana Carolina, third daughter of John Carteret, 1st Earl Granville. John Spencer was the younger son of Charles, 3rd Earl of Sunderland, and Anne, daughter and co-heiress of John Churchill, 1st Duke of Marlborough. A miniature of John Spencer's only son John, 1st Earl Spencer (1734-1784) by Jean Etienne Liotard is mounted in an ivory box in the Gilbert Collection, (see references)
Historical context
Paul de Lamerie (1688-1751) was the greatest silversmith working in England in the 18th century. A Huguenot or French Protestant he came to London with his parents, fleeing persecution in France. His success lay in his own exceptional creativity in producing stunning objects, but also in his ability as a businessman, retailing some astonishingly spectacular silver using the best and most innovative suppliers in the trade.

Christenings often took place in a domestic setting shortly after the birth of the child. Baptism in the home was accepted practice when necessity so dictated – particularly when the child was weak and not expected to live. In addition to ‘the Ministration of Publick Baptism of Infants to be used in the Church’, the Book of Common Prayer includes the order of service for ‘The Ministration of Private Baptism of Children in Houses’. The ‘Curates of every Parish’ are to recommend that the people ‘defer not the Baptism of their children longer than the first or second Sunday next after their birth or other Holy-day falling between’. An earlier example of a silver basin marked by London goldsmith Anthony Nelme, 1692, used as a Christening basin and subsequently engraved with the arms of Sir Matthew Featherstonhaugh, 1st Baronett, and his Huguenot wife Sarah Lethieullier, remains in the collection at Uppark (National Trust).


Sir Arthur Gilbert collected over twenty-five pieces marked de Lamerie. On display in the Rosalinde and Arthur Gilbert Galleries in addition to this sauceboat of 1726-7, are a pair of 1722-3 soup tureens and later soup ladles. The most elaborate pieces were modelled and chased by the celebrated ‘Maynard Master’ in de Lamerie's workshop. These include the 1738-9 Le Quesne tea kettle,1743-4 coffee pot, the 1742-3 Mountrath ewer and the 1743-4 two handled cup and cover, a 1736-7 waiter and a pair of 1742-3 salvers. The candelabra and bread basket supplied by de Lamerie in 1731-2 for Britain's first Prime Minister, Sir Robert Walpole were acquired as GIlbert was as interested in the association with leading past collectors as in the craftsmen who supplied and made this extraordinary silver.
Subjects depicted
Summary
This dish and its accompanying bowl, still in brilliant condition, were made for John Spencer, grandson of the 1st Duke of Marlborough. They were formerly at the Spencer family home, Althorp, in Northamptonshire, where the bowl was traditionally used for christenings.

When the Catholic King Louis XIV revoked the Edict of Nantes in 1685, Huguenots (French Protestants) were forced to leave the country. Many were craftsmen who settled in London. Their technical skills and fashionable French style ensured the luxury silver, furniture, watches and jewellery they made were highly sought after. Huguenot specialists transformed English silver by introducing higher standards of craftsmanship. They promoted new forms, such as the soup tureen and sauceboat, and introduced a new repertoire of ornament, with cast sculptural details and exquisite engraving.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Associated object
Bibliographic references
  • Phillips, P.A.S. Paul de Lamerie, citizen and goldsmith of London: A study of his life and work, 1688-1757. London: B.T. Batsford, 1935, p. 79, pls. XXVI-XXVII; Schroder, Timothy. The Gilbert collection of gold and silver, Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 43, pp.180-183.
  • Grimwade, Arthur. 'Silver at Althorp III: The Huguenot Period', The Connoisseur 153, June 1963, p. 91.
  • Clayton, Michael. The Collector's dictionary of the silver and gold of Great Britain and North America. London: Country Life Books/Hamlyn Publishing Group, 1971, p. 30 & p.33, no. 45.
  • Grimwade, Arthur. Rococo Silver, 1727-1765. London: Faber and Faber, 1974. pp. 5-6, pl. 1. ISBN.0671105262
  • Clayton, Michael. The Collector's dictionary of the silver and gold of Great Britain and North America. 2nd ed. London: Antique Collectors' Club, 1985, p. 43, no. 45.
  • Schroder, Timothy. The Gilbert collection of gold and silver. Los Angeles (Los Angeles County Museum of Art) 1988, cat. no. 43, pp. 180-3. ISBN.0875871445
  • A miniature of John Spencer's only son John, 1st Earl Spencer (1734-1784) by Jean Etienne Liotard is mounted in an ivory box in the Gilbert Collection: http://web.archive.org/web/20230117154745/http://collections.vam.ac.uk/item/O156530/snuffbox-liotard-jean-etienne/
Other numbers
  • SG 132 A - Arthur Gilbert Number
  • 1996.88 - The Gilbert Collection, Somerset House
  • SG 122B - Arthur Gilbert Number
  • 1996.907 - The Gilbert Collection, Somerset House
Collection
Accession number
LOAN:GILBERT.651-2008

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Record createdJune 19, 2008
Record URL
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