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Tankard

1646-1647 (hallmarked)
Artist/Maker
Place of origin

Silver often had commemorative significance alongside functional value. This small tankard was made 1646-7, yet in the late 1700s or early 1800s it was engraved with the name of Maria Arabella Lansdowne (d.1833), who married Lord Lansdowne in 1805. The inscription suggests that the piece was presented as a gift to Lady Lansdowne.

Outside the wealthiest court circles, 17th-century silver was used primarily for eating and drinking. The dining table was the heart of social activity, and novelty items were made for fashionable new drinks flavoured with spices and drinking games. The range of British silver for the home from this period (the first for which a representative quantity survives) demonstrates increasing foreign influences from France, the Netherlands and Portugal. The rising demand for fashionably decorated European silver from the 1660s onwards reflects Britain's new wealth and political stability.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.


Object details

Categories
Object type
Materials and techniques
Raised, cast, flat-chased, punched and engraved silver
Brief description
Silver, London hallamrks for 1656-7, Mark of George Thomas
Physical description
A squat rounded formed tankard rests on a plain foot. The bulbous part of the body is flat-chased with stylized plants and panels of oval and circular strapwork, all on a punched matted group. The broad, plain, slightly tapering lip bears a late eighteenth- or early-nineteenth century engraved inscription, FROM AMK OR DMK, in pseudo-Cyrillic script. The raised, flat-topped cover is decorated similarly to the body's elegant chasing; its plain border is shaped to a point opposite the scroll thumbpiece and handle, which is a plain S-scroll. On the border of the cover is the inscription MARIA ARABELLA LANDSDOWNE, the engraving also dating from the late eighteenth- or early nineteenth-century; there are traces of original initials on the handle.
Dimensions
  • Height: 10.3cm
  • Width: 10.4cm
  • Depth: 13.5cm
  • Weight: 320g
Updated with measurements taken 18/08/08
Marks and inscriptions
  • MARIA ARABELLA LANDSDOWNE Also: 'From AMK' (or DMK) (Other mark; On the border of the cover. (There are also traces of the original initials on the handle); engraved; late 18th century-early 19th century)
  • FROM AMK (or) DMK (psuedo-Cryllic script; On the broad, slightly tapering lip.; engraved; late 18th century or early 19th century)
  • London hallmarks for 1646-7
  • Mark of George Thomas
Gallery label
(Gallery 70, case 4) 8. Tankard 1646–47 London, England; maker’s mark TG probably for Thomas George II (active 1639–64) Silver Inscribed on lid ‘Maria Arabella Lansdowne’ (died 1833) and on lip ‘From AMK’ (or ‘DMK’) Museum no. Loan:Gilbert.585-2008(16/11/2016)
Credit line
The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London
Object history
Provenance: Maria Arabella, Lady Landsdowne. Mrs Bernard Granville, sale, Christie's, lot 149, July 19, 1939. Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1983.
Production
Maker's mark TG
Summary
Silver often had commemorative significance alongside functional value. This small tankard was made 1646-7, yet in the late 1700s or early 1800s it was engraved with the name of Maria Arabella Lansdowne (d.1833), who married Lord Lansdowne in 1805. The inscription suggests that the piece was presented as a gift to Lady Lansdowne.

Outside the wealthiest court circles, 17th-century silver was used primarily for eating and drinking. The dining table was the heart of social activity, and novelty items were made for fashionable new drinks flavoured with spices and drinking games. The range of British silver for the home from this period (the first for which a representative quantity survives) demonstrates increasing foreign influences from France, the Netherlands and Portugal. The rising demand for fashionably decorated European silver from the 1660s onwards reflects Britain's new wealth and political stability.

Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Bibliographic reference
Schroder, Timothy. The Gilbert collection of gold and silver. Los Angeles (Los Angeles County Museum of Art) 1988, cat. no.19, pp. 93-95. ISBN.0875871445
Other numbers
  • SG 155 - Arthur Gilbert Number
  • 1996.83 - The Gilbert Collection, Somerset House
  • SG 173AB - Arthur Gilbert Number
Collection
Accession number
LOAN:GILBERT.585-2008

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Record createdJune 19, 2008
Record URL
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