Plaque
1800-25 (made)
Artist/Maker | |
Place of origin |
These doves, known as the Capitoline Doves or Doves of Pliny, appear frequently as the subject of micromosaics. The image comes from a Roman floor mosaic discovered in 1737 at Hadrian's Villa in Tivoli, which in turn is believed to be a copy of a lost ancient Greek mosaic at Pergamon. The original is described by Pliny the Elder in his Natural History, completed in 77AD.
The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
Category | |
Object type | |
Materials and techniques | Micromosaic |
Brief description | Rectangular micromosaic plaque of the Capitoline Doves of Pliny, Rome, 1800-25. |
Physical description | A rectangular micromosaic plaque depicting four doves sitting on the edge of a circular, gold, two-handled basin that is resting on a square plinth on a flat surface. This composition is traditionally known as the Capitoline Doves or the Doves of Pliny and is contained within a border decorated in geometric motifs. Below the bordered picture is an inscription in Latin. |
Dimensions |
|
Marks and inscriptions | MIRABILIS IBI COLVMBA BIBENS, ET AQVAM VMBRA CAPITIS INFVSCANS. APRICANTVR ALIAE SCABENTES SESE IN CANTHARI LABRO. PLIN.LIB XXXV.CAP X. (The inscription on the lower portion of the plaque is an incorrect reference from Book XXXVII, Chapter 184, of Pliny the Elder's Natural History. Pliny the Elder was killed when Vesuvius erupted burying Pompeii and Herculaneum in AD 79.)
|
Gallery label |
|
Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance: Arthur Davidson, London. Historical significance: This is a relatively faithful copy of the ancient floor mosaic found in Hadrian's Villa in 1737, which came to inspire a multitude of mosaic reproductions and variations. |
Subjects depicted | |
Literary reference | Natural History |
Summary | These doves, known as the Capitoline Doves or Doves of Pliny, appear frequently as the subject of micromosaics. The image comes from a Roman floor mosaic discovered in 1737 at Hadrian's Villa in Tivoli, which in turn is believed to be a copy of a lost ancient Greek mosaic at Pergamon. The original is described by Pliny the Elder in his Natural History, completed in 77AD. The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today. Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
Bibliographic references |
|
Other numbers |
|
Collection | |
Accession number | LOAN:GILBERT.197-2008 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | June 19, 2008 |
Record URL |
Download as: JSONIIIF Manifest