Plaque
ca. 1825 (made)
Artist/Maker | |
Place of origin |
This motif is taken from a large ancient Roman floor mosaic, discovered in 1790 at the Quintilii. The original subject was copied by several mosaicists in the 19th century.
The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today.
Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996.
Object details
Category | |
Object type | |
Materials and techniques | Micromosaic |
Brief description | Micromosaic plaque with basket of flowers, Rome, ca.1825 - 1830. |
Physical description | A small, unframed rectangular plaque with a micromosaic scene depicting a basket of colourful flowers. |
Dimensions |
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Gallery label |
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Credit line | The Rosalinde and Arthur Gilbert Collection on loan to the Victoria and Albert Museum, London |
Object history | Provenance Acquired by Arthur Gilbert from S.J. Phillips Ltd, London, 1971 Historical significance: The detail and complexity of this composition demonstrates the high level of skill needed in the execution of micromosaics. |
Historical context | This plaque is based on a large antique Roman floor mosaic which was discovered in about 1790 at the Quintilii and is now in the Vatican's Pio Clementine Museum displayed in the Sala della Croce Greca. A larger version of this same composition forms a table top at the Hermitage Museum, St Petersburg. |
Subject depicted | |
Summary | This motif is taken from a large ancient Roman floor mosaic, discovered in 1790 at the Quintilii. The original subject was copied by several mosaicists in the 19th century. The term 'micromosaic' is used to describe mosaics made of the smallest glass pieces. Some micromosaics contain more than 5000 pieces per square inch. The earliest attempts at micromosaic revealed visible joins between the pieces (known as tesserae) and a lack of perspective. Later artists such as Antonio Aguatti made huge advances in micromosaic technique, resulting in renderings that were truer to life. Glass micromosaic technique developed in the 18th century, in the Vatican Mosaic Workshop in Rome, where they still undertake restoration work today. Sir Arthur Gilbert and his wife Rosalinde formed one of the world's great decorative art collections, including silver, mosaics, enamelled portrait miniatures and gold boxes. Arthur Gilbert donated his extraordinary collection to Britain in 1996. |
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Other numbers |
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Collection | |
Accession number | LOAN:GILBERT.215-2008 |
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Record created | June 19, 2008 |
Record URL |
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