Gem
ca. 1820 (made)
Artist/Maker | |
Place of origin |
The practice of making casts of engraved gems, and thus circulating their images, was common from ancient times, and became widespread among Roman connoisseurs in the 18th century. The sale of casts of gems boomed as they became an essential souvenir of the Grand Tour, and firms set up in business to sell boxes of trays with identifying lists, or even casts in boxes disguised as books for the library shelf. The most comprehensive of casters was the Scotsman James Tassie and later his nephew William Tassie, whose catalogue eventually encompassed over 20,000 items.
Object details
Categories | |
Object type | |
Parts | This object consists of 2 parts.
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Materials and techniques | Plaster casts |
Brief description | Casts of gems, plaster, paper and wood, a set of 1251, of Greek Roman and modern engraved gems and intaglios, in two stacks and handlist by Bartolommeo and Pietro Paoletti, Italy, ca. 1820 |
Physical description | Plaster casts of gems, plaster, paper and wood. |
Dimensions |
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Credit line | Given by Lady Campbell |
Object history | Given by Lady Campbell in 1864. |
Summary | The practice of making casts of engraved gems, and thus circulating their images, was common from ancient times, and became widespread among Roman connoisseurs in the 18th century. The sale of casts of gems boomed as they became an essential souvenir of the Grand Tour, and firms set up in business to sell boxes of trays with identifying lists, or even casts in boxes disguised as books for the library shelf. The most comprehensive of casters was the Scotsman James Tassie and later his nephew William Tassie, whose catalogue eventually encompassed over 20,000 items. |
Bibliographic reference | Trusted, Majorie. ed. The Making of Sculpture: the Materials and Techniques of European Sculpture. London: V&A Publications, 2007, p. 150
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Collection | |
Accession number | REPRO.1864:2-156 |
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Record created | May 30, 2008 |
Record URL |
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