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Not on display

Painting

first half 17th century (made)
Artist/Maker
Place of origin

Calligraphy by great Iranian masters was collected by the elite of the Mughal court in the 16th and 17th centuries. Examples such as this, identified by E. Dennison Ross as verses from Sa'di's Bustan copied and signed by Sultan 'Ali al-Mashhadi, were illuminated by Mughal artists and then incorporated into royal albums. The illumination was probably done in the 1620s for Jahangir, and floral borders were added later when the page was remounted for incorporation into an album for his son and successor, Shah Jahan (1628-1658).
An impression from an authentic seal of the emperor Jahangir dated regnal year 6 [=1612] has been added to the page, probably in the 18th century. It also appears on several pages in the V&A done after 1612, in the 17th and 18th centuries.

Object details

Categories
Object type
Materials and techniques
Ink, opaque watercolour and gold on paper
Brief description
Painting, calligraphy panel by Sultan 'Ali of Mashhad, ink, opaque watercolour and gold on paper, border and decoration Mughal, first half 17th century
Physical description
Painting, ink, opaque watercolour and gold on paper. This page from an album is composed of a calligraphic panel by Sultan 'Ali al-Mashhadi, with an illuminated ground added by a Mughal court artist, mounted on a page for an album with floral borders.
Dimensions
  • Page size height: 38.9cm
  • Page size width: 26.4cm
  • Panel including blue border height: 21.2cm
  • Panel including blue border width: 15cm
Half Imperial Mount (Portrait)
Content description
Calligraphic panel.
Styles
Credit line
Bequeathed by Lady Wantage
Object history
This page from a royal album of Shah Jahan (r.1628-1658) was given to Lady Wantage by her father, and bequeathed to the museum in 1921.

Part of the bequest of the Right Honourable Harriet Sarah Baroness Wantage, of Locking House, Wantage Berks, widow of the first and last Baron Wantage, V.C., K.C.B., V.D.

R.P. 1920-8342, 1920-5869, 1921-3081, 1921-177
Subjects depicted
Summary
Calligraphy by great Iranian masters was collected by the elite of the Mughal court in the 16th and 17th centuries. Examples such as this, identified by E. Dennison Ross as verses from Sa'di's Bustan copied and signed by Sultan 'Ali al-Mashhadi, were illuminated by Mughal artists and then incorporated into royal albums. The illumination was probably done in the 1620s for Jahangir, and floral borders were added later when the page was remounted for incorporation into an album for his son and successor, Shah Jahan (1628-1658).
An impression from an authentic seal of the emperor Jahangir dated regnal year 6 [=1612] has been added to the page, probably in the 18th century. It also appears on several pages in the V&A done after 1612, in the 17th and 18th centuries.
Bibliographic references
  • Swallow, Deborah and John Guy eds. Arts of India: 1550-1900. Text by Rosemary Crill, John Guy, Veronica Murphy, Susan Stronge and Deborah Swallow. London : V&A Publications, 1990, p. 80 ill. no. 55.
  • Baker, Malcolm, and Brenda Richardson (eds.), A Grand Design: The Art of the Victoria and Albert Museum, London: V&A Publications, 1999.
  • Swallow, D., Stronge, S., Crill, R., Koezuka, T., editor and translator, "The Art of the Indian Courts. Miniature Painting and Decorative Arts", Victoria & Albert Museum and NHK Kinki Media Plan, 1993. p. 42 and 43, cat. no. 16
  • Clarke, C. Stanley; Indian Drawings: Thirty Mogul Paintings of the School of Jehangir and Four Panels of Calligraphy ini the Wantage Bequest. London 1922 No. 11
Collection
Accession number
IM.120A-1921

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Record createdDecember 15, 1999
Record URL
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