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Not on display

Ronald Cobb costume design

Costume Design
1970s (designed and made)
Artist/Maker
Place of origin

Eve's was a well-known night club in the 1970s and 1980s, situated in a basement in Regent Street in London's West End. Its floor-show was written by the club's owner, Helen O'Brien, taking ideas from a wide range of sources, from popular song to Shakespeare; while based on the traditional showgirls, all leg and, at that time, topless, the references and wit of the designs of Ronald Cobb combined into a sophisticated entertainment.
Many of the scenes involved the singing of a song while the girls paraded in costumes wittily illustrating the words. This costume accompanied the Cole Porter song "Miss Otis Regrets" in which a very correct servant explains to the hostess that Miss Otis has shot the man ‘who led her so far astray’ and has been lynched, so consequently is ‘unable to lunch today.’ Cobb’s macabre costume, admirably catches the black sophistication of the lyric, although this costume has none of its understatement. The use of a neckband and fabric passing between the breasts continues ideas from other costumes in the sequence. The bat under the front panel is an example of Cobb's 'invisible' g-string, a construction which dispensed with side fasteneings and was held in place by a stiffened wire curve, which fitted between the legs.

Object details

Categories
Object type
TitleRonald Cobb costume design (generic title)
Materials and techniques
Pencil, pen and ink, watercolour, gouache, gold paint, on card
Brief description
Costume design by Ronald Cobb for The Gallows in the episode Miss Otis Regrets for Eve night club, 1970s. Pencil, pen and ink watercolour, gouache and gold paint
Physical description
Costume design by Ronald Cobb for a showgirl as The Gallows in the song 'Miss Otis Regrets', Eve's night club, 1970s. Full length female figure, with brown shoulder-length hair, wearing a headress in the form of a gallows, with noose and, from the base, a bat; the base of the gallows extends to meet the high-winged dark glasses. The arms are raised and outstretched, covered from upper arm in long handless 'gloves' which end in a point over the hand; around the wrists are gold manacles, from which hang long swathes of rope. Around the neck is a black band, with a gold buckle at centre front, from which is fixed a black panel which passes between the bare breasts, through another gold buckle holding a belt around the waist and flowing down to the floor; from the back emerges a similar panel. The g-string is formed of a long-eared bat with outstretched wings.
Dimensions
  • Height: 506mm
  • Width: 375mm
Marks and inscriptions
  • Ronald D(?) Cobb (Pen and ink lower left hand edge)
  • "The Gallows" (Pen and ink upper right hand corner)
  • No 12 (Pencil upper left hand corner)
  • Eva (Pencil right hand side)
  • Top Buckle / [drawing of buckle annotated] 3" / Belt / Wide 3 1.2 (Pencil, right hand side)
Credit line
Given by Jimmy and Helen O'Brien
Object history
The costume design was created by Ronald Cobb for a showgirl illustrating The Gallows in Cole Porter's song Miss Otis Regrets in a revue for Eve's night club in London in the 1970s.

Historical significance: The design is a rare example of topless night club design for the 1960s and 1970s.
Summary
Eve's was a well-known night club in the 1970s and 1980s, situated in a basement in Regent Street in London's West End. Its floor-show was written by the club's owner, Helen O'Brien, taking ideas from a wide range of sources, from popular song to Shakespeare; while based on the traditional showgirls, all leg and, at that time, topless, the references and wit of the designs of Ronald Cobb combined into a sophisticated entertainment.
Many of the scenes involved the singing of a song while the girls paraded in costumes wittily illustrating the words. This costume accompanied the Cole Porter song "Miss Otis Regrets" in which a very correct servant explains to the hostess that Miss Otis has shot the man ‘who led her so far astray’ and has been lynched, so consequently is ‘unable to lunch today.’ Cobb’s macabre costume, admirably catches the black sophistication of the lyric, although this costume has none of its understatement. The use of a neckband and fabric passing between the breasts continues ideas from other costumes in the sequence. The bat under the front panel is an example of Cobb's 'invisible' g-string, a construction which dispensed with side fasteneings and was held in place by a stiffened wire curve, which fitted between the legs.
Collection
Accession number
S.734-1996

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Record createdMay 15, 2008
Record URL
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