Pendant and Chain
1956-1960 (made)
Artist/Maker | |
Place of origin |
In the 1950s and 1960s Scandinavian design, with its simplicity of form and natural materials was influential all over the world in many media, from textiles to furniture. Jewellery was designed around organic shapes, often merging to become miniature sculptural elements. Finely crafted silver was the preferred material, often in combination with inexpensive gemstones in unconventional cuts and asymmetrical compositions.
Unlike other European companies, which preferred anonymity, the Scandinavian firms such as Kaunis Koru in Helsinki, Finland, promoted their designers and encouraged them to make a name of their own. Jewellery production at Kaunis Koru began in 1956, and the company commissioned talented Finnish designers, such as Jan Salakari. He was widely known and exhibited at the groundbreaking international exhibition of Modern Jewellery at Goldsmiths’ Hall, London, in 1961. He was also a designer in glass.
Unlike other European companies, which preferred anonymity, the Scandinavian firms such as Kaunis Koru in Helsinki, Finland, promoted their designers and encouraged them to make a name of their own. Jewellery production at Kaunis Koru began in 1956, and the company commissioned talented Finnish designers, such as Jan Salakari. He was widely known and exhibited at the groundbreaking international exhibition of Modern Jewellery at Goldsmiths’ Hall, London, in 1961. He was also a designer in glass.
Object details
Categories | |
Object type | |
Materials and techniques | Silver and smoky quartz |
Brief description | Silver and smoky quartz chain and pendant designed by Jan Salakari for Kaunis Koru; Finland, about 1955-60 |
Dimensions |
|
Production | for Kaunis Koru |
Summary | In the 1950s and 1960s Scandinavian design, with its simplicity of form and natural materials was influential all over the world in many media, from textiles to furniture. Jewellery was designed around organic shapes, often merging to become miniature sculptural elements. Finely crafted silver was the preferred material, often in combination with inexpensive gemstones in unconventional cuts and asymmetrical compositions. Unlike other European companies, which preferred anonymity, the Scandinavian firms such as Kaunis Koru in Helsinki, Finland, promoted their designers and encouraged them to make a name of their own. Jewellery production at Kaunis Koru began in 1956, and the company commissioned talented Finnish designers, such as Jan Salakari. He was widely known and exhibited at the groundbreaking international exhibition of Modern Jewellery at Goldsmiths’ Hall, London, in 1961. He was also a designer in glass. |
Bibliographic reference | Graham Hughes, Modern Jewelry, An International Survey 1890 - 1963, London 1961 |
Collection | |
Accession number | CIRC.62-1962 |
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Record created | May 15, 2008 |
Record URL |
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