Costume design for 'King Lear'
Costume Design
1955 (made)
1955 (made)
Artist/Maker | |
Place of origin |
Costume design by Isamu Noguchi for John Gielgud as Lear in Shakespeare's play, King Lear, Shakespeare Memorial Theatre Company, Palace Theatre, London, and European tour, 1955.
Japanese-American artist Isamu Noguchi (1904-1988) was primarily a sculptor, although he was also known for designing the settings for the dance works of American modern-dance pioneer, Martha Graham. When he was commissioned to design King Lear for the Shakespeare Memorial Theatre Company in 1955, he had little experience of costume. However director George Devine and his leading actor, John Gielgud, had been impressed by Noguchi’s work for Graham. They believed that he could create appropriate designs for a stylised staging of Shakespeare's play, which, according to the programme note, ‘would be free of historical or decorative associations so that the timeless, universal and mythical quality of the story may be clear.’
Instead of painting or sketching his costume designs, Noguchi produced little paper figures. Though subsequently mounted on paper with the makers’ notes and instructions added, the figures were designed to stand upright, and the wire strut that supported each one is still attached. This design, for Lear in the later scenes, has the typewritten wardrobe reference: 'Lear. flesh basic & white cloak. flower headdress" and is annotated by Gielgud with comments and reservations about the costume - a rare case where an actor's reactions to a design are recorded. Obviously, Gielgud did not relish playing Lear's last scenes in flesh-coloured body tights and body bands, and has requested a more dignified kimono dressing gown.
Japanese-American artist Isamu Noguchi (1904-1988) was primarily a sculptor, although he was also known for designing the settings for the dance works of American modern-dance pioneer, Martha Graham. When he was commissioned to design King Lear for the Shakespeare Memorial Theatre Company in 1955, he had little experience of costume. However director George Devine and his leading actor, John Gielgud, had been impressed by Noguchi’s work for Graham. They believed that he could create appropriate designs for a stylised staging of Shakespeare's play, which, according to the programme note, ‘would be free of historical or decorative associations so that the timeless, universal and mythical quality of the story may be clear.’
Instead of painting or sketching his costume designs, Noguchi produced little paper figures. Though subsequently mounted on paper with the makers’ notes and instructions added, the figures were designed to stand upright, and the wire strut that supported each one is still attached. This design, for Lear in the later scenes, has the typewritten wardrobe reference: 'Lear. flesh basic & white cloak. flower headdress" and is annotated by Gielgud with comments and reservations about the costume - a rare case where an actor's reactions to a design are recorded. Obviously, Gielgud did not relish playing Lear's last scenes in flesh-coloured body tights and body bands, and has requested a more dignified kimono dressing gown.
Object details
Categories | |
Object type | |
Title | Costume design for 'King Lear' (generic title) |
Materials and techniques | Paper collage with pencil, watercolour, and wire |
Brief description | Costume design by Isamu Noguchi for John Gielgud as Lear in King Lear, Shakespeare Memorial Theatre Company, Palace Theatre, London, and European tour, 1955 |
Physical description | To right, attached, a paper figure with metal wire strut, in the form of a male figure with stylized beard and hair, wearing brown all-overs, white loin cloth and with attached strips or paper painted brown. Beneath the figure is a drawing of a sandal. Beneath the annotations on the upper left hand side is a drawing of a striped kimono, beneath which are further annotations and a typed caption: "27. Lear flesh basic & white cloak. flower headdress (N)." |
Dimensions |
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Marks and inscriptions |
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Object history | The design was created by Isamu Noguchi for the Shakespeare Memorial Theatre Company's 1955 touring production of Shakespeare's King Lear. The play was directed by George Devine, with John Gielgud as Lear. The production opened in Brighton on 6 June, then visited festivals in Vienna, Zurich, The Hague, Amsterdam, Rotterdam, Berlin and Copenhagen, before playing at London's Palace Theatre, 21 July to 17 September. It then went to Hanover, Bremen, Hamburg, Oslo, Newcastle-upon-Tyne, Edinburgh, Glasgow, Manchester, Liverpool, and finally came to the Shakespeare Memorial Theatre at Stratford-upon-Avon, 29 November to 17 December. The costumes were made by Carl Bonn and Colin Mackenzie. |
Summary | Costume design by Isamu Noguchi for John Gielgud as Lear in Shakespeare's play, King Lear, Shakespeare Memorial Theatre Company, Palace Theatre, London, and European tour, 1955. Japanese-American artist Isamu Noguchi (1904-1988) was primarily a sculptor, although he was also known for designing the settings for the dance works of American modern-dance pioneer, Martha Graham. When he was commissioned to design King Lear for the Shakespeare Memorial Theatre Company in 1955, he had little experience of costume. However director George Devine and his leading actor, John Gielgud, had been impressed by Noguchi’s work for Graham. They believed that he could create appropriate designs for a stylised staging of Shakespeare's play, which, according to the programme note, ‘would be free of historical or decorative associations so that the timeless, universal and mythical quality of the story may be clear.’ Instead of painting or sketching his costume designs, Noguchi produced little paper figures. Though subsequently mounted on paper with the makers’ notes and instructions added, the figures were designed to stand upright, and the wire strut that supported each one is still attached. This design, for Lear in the later scenes, has the typewritten wardrobe reference: 'Lear. flesh basic & white cloak. flower headdress" and is annotated by Gielgud with comments and reservations about the costume - a rare case where an actor's reactions to a design are recorded. Obviously, Gielgud did not relish playing Lear's last scenes in flesh-coloured body tights and body bands, and has requested a more dignified kimono dressing gown. |
Collection | |
Accession number | CIRC.68-1960 |
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Record created | May 14, 2008 |
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