On display

Walking Ware

Cup
1974 (designed), 1980 (made)
Artist/Maker
Place of origin

After training at the Central School of Art, London, in the early 1960s, Roger Michell and Danka Napiorkowska established Lustre Pottery together. Preoccupied with finely crafted early-industrial English earthenware, they set about developing clays and glazes in imitation of creamware. In 1974 they first made their 'Walking teaset', which became so popular that in order to satisfy demand they organised mass-production of the teaset by the industrial Staffordshire pottery, Carlton Ware. This version was hand-made for the Museum by the potters. Commercial production stopped in 1981. The quirky, Postmodern, and quintessentially English design can be interpreted as a reaction to the stonewares favoured by the studio pottery movement.

Object details

Category
Object type
TitleWalking Ware (manufacturer's title)
Materials and techniques
Earthenware with painted decoration
Brief description
Cup from walking teaset, earthenware with painted decoration, made by Danka Napiorkoswka and Roger Michell, Malton, 1980
Physical description
White cream jug, with feet, painted with brown shoes and white socks with brown and black checks.
Gallery label
Walking teaset
Made by Danka Napiorkoswka, Made by Roger Michell, Malton, Yorkshire; 1980
Earthenware with painted decoration

C.78,A,B,C,E and F-1981
Summary
After training at the Central School of Art, London, in the early 1960s, Roger Michell and Danka Napiorkowska established Lustre Pottery together. Preoccupied with finely crafted early-industrial English earthenware, they set about developing clays and glazes in imitation of creamware. In 1974 they first made their 'Walking teaset', which became so popular that in order to satisfy demand they organised mass-production of the teaset by the industrial Staffordshire pottery, Carlton Ware. This version was hand-made for the Museum by the potters. Commercial production stopped in 1981. The quirky, Postmodern, and quintessentially English design can be interpreted as a reaction to the stonewares favoured by the studio pottery movement.
Collection
Accession number
C.78E-1981

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Record createdMay 8, 2008
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