Brooch thumbnail 1

Brooch

ca. 1860 (made)
Artist/Maker
Place of origin

This brooch by Castellani of Rome, the leading firm making jewellery in the archaeological style, is in the form of an ensign of a Roman legion. A similar brooch was shown by Castellani at the London International Exhibition in 1862 and was selected for illustration in Masterpieces of Industrial Art and Sculpture at the International Exhibition, 1862 (London, 1863, plate 212) by J. B. Waring. The eagle ensign was also used on a hair pin in the Castellani display as one of the items in an 'ivory casket with all the jewels for the toilette of a Roman lady in ancient times'. Alessandro Castellani wrote to Henry Layard, the distinguished archaeologist and patron of contemporary decorative arts, in 1861 that he believed the casket 'will be much talked about'.

Object details

Categories
Object type
Materials and techniques
Gold
Brief description
Brooch in the form of a Roman imperial eagle, gold, Castellani, Italy, c. 1860
Physical description
Brooch in the form of an eagle with outstretched wings, the body of the eagle set within a laurel wreath, gold, cast and chased. The feathers are depicted on both front and back in applied, twisted wire.
Dimensions
  • Height: 46mm
  • Width: 83mm
  • Depth: 21.5mm
Style
Marks and inscriptions
Applied monogram of two Cs, interlocking and back to back (Mark of Castellani. Applied on the back of the eagle's tail.)
Credit line
Given by the American Friends of the V&A through the generosity of Judith H. Siegel
Summary
This brooch by Castellani of Rome, the leading firm making jewellery in the archaeological style, is in the form of an ensign of a Roman legion. A similar brooch was shown by Castellani at the London International Exhibition in 1862 and was selected for illustration in Masterpieces of Industrial Art and Sculpture at the International Exhibition, 1862 (London, 1863, plate 212) by J. B. Waring. The eagle ensign was also used on a hair pin in the Castellani display as one of the items in an 'ivory casket with all the jewels for the toilette of a Roman lady in ancient times'. Alessandro Castellani wrote to Henry Layard, the distinguished archaeologist and patron of contemporary decorative arts, in 1861 that he believed the casket 'will be much talked about'.
Bibliographic reference
Soros, Susan Weber. ' "Under the great canopies of civilisation" ': Castellani jewelry and metalwork at international exhibitions'. In Susan Weber Soros and Stefanie Walker, eds, Castellani and Italian Archaeological Jewelry. Published for the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture by Yale University. Press, New Haven and London, 2004. pp. 228-283
Other number
LOAN:AMERICANFRIENDS.444-2007 - Previous loan number
Collection
Accession number
M.11-2011

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Record createdApril 29, 2008
Record URL
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