Lilies of the Field
Evening Dress
1974 (designed)
1974 (designed)
Artist/Maker | |
Place of origin |
Evening dress of screen printed, cream silk chiffon with wide, cream satin belt and nylon taffeta petticoat.
Silk chiffon screen printed in shades of cream and green of cursive bands, floral motifs and inscriptions.
Silk chiffon screen printed in shades of cream and green of cursive bands, floral motifs and inscriptions.
Object details
Categories | |
Object type | |
Parts | This object consists of 3 parts.
|
Title | Lilies of the Field (assigned by artist) |
Materials and techniques | Screen printed silk chiffon, satin with machine embroidery, nylon taffeta |
Brief description | Evening dress of screen printed silk chiffon with satin sash and nylon taffeta petticoat, designed by Zadra Rhodes, London, 1974 |
Physical description | Evening dress of screen printed, cream silk chiffon with wide, cream satin belt and nylon taffeta petticoat. Silk chiffon screen printed in shades of cream and green of cursive bands, floral motifs and inscriptions. |
Production type | Haute couture |
Marks and inscriptions |
|
Credit line | Given by Cecil Beaton |
Object history | Zandra Rhodes considers the Lily prints to be the best of her work, and particularly significant. It was while developing the Lily textiles that she developed the method of reversing the silkscreen to produce a mirror image of the print and create symmetrical patterns. This went on to influence many of her future significant prints, such as 'Lace Mountain', 'Cactus Volcano' and 'Scribble Turnaround'. The Lily prints also represent the increasing introduction of handwriting and calligraphy into her textile designs. Zandra had used writing in her designs in the past, including the "We Love You Vanessa" print produced in the late 1960s, but the Lily textiles were the first time that this became a focus of her work. Another point of significance for Zandra is that the Lily dresses were the first dresses that she started applying beading to, which would become a future trademark. This particular dress is a version of Butterfly No 66/cat no 73/44 as depicted in Rhodes' autobiography (1984), although our dress is cream rather than pink. (The Gallery of Costume at Manchester own a version in the same colourway as in the book). The pigments used in the print are heavier and denser than those on other Lily prints, creating a heavy textured effect. - Daniel Milford-Cottam Reference: Rhodes, Zandra and Knight, Anne, The Art Of Zandra Rhodes, London, 1984 |
Subjects depicted | |
Collection | |
Accession number | T.20 to B-1977 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | April 25, 2008 |
Record URL |
Download as: JSON