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Landscape

Print
1993 (printed)
Artist/Maker
Place of origin

This is one of a group of 143 state, trial and cancellation proofs of etchings by Lucian Freud (1922-2011) which came from the collection of Marc Balakjian (1938-2017) of Studio Prints. Balakjian was Freud’s printer from 1985 and worked closely with him on the production of his etchings.

Freud started work on this etching in Tuscany, and brought the clod of earth with its weeds back to London with him, where he finished it. He may have been inspired by Albrecht Durer's watercolour Das grosse Rasenstuck (The Great Piece of Turf) (1503, Albertina, Vienna); a reproduction of this picture had hung on the wall of his family's apartment in Berlin so it was familiar to him. The plate was bitten and first proofed on 19 April 1993. There are minir foul biting marks across the plate. Freud used stopping out varnish to adjust come of the small details.

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read Lucian Freud and etching Lucian Freud (1922 – 2011) was one of the most renowned British artists of the 20th century. Though he is best known as a painter he was also a keen printmaker, producing versions of many of the subjects featured in his paintings – portrait heads, nudes, dogs and landscapes. These prints w...

Object details

Categories
Object type
TitleLandscape (assigned by artist)
Materials and techniques
Etching on paper
Brief description
Lucian Freud: Cancellation proof of Landscape, 1993. Etching. Printed by Marc Balakjian.
Physical description
A close-up view of tangled foliage and flowers. Scored across with thick black lines.
Dimensions
  • Plate height: 15cm
  • Plate width: 19.6cm
Marks and inscriptions
  • C15 (in pencil; by Marc Balakjian)
  • L.F. (in pencil; by Lucian Freud)
Credit line
Accepted in lieu of inheritance tax by HM Government in 2019 from the collection of Marc Balakjian and allocated to the V&A
Summary
This is one of a group of 143 state, trial and cancellation proofs of etchings by Lucian Freud (1922-2011) which came from the collection of Marc Balakjian (1938-2017) of Studio Prints. Balakjian was Freud’s printer from 1985 and worked closely with him on the production of his etchings.

Freud started work on this etching in Tuscany, and brought the clod of earth with its weeds back to London with him, where he finished it. He may have been inspired by Albrecht Durer's watercolour Das grosse Rasenstuck (The Great Piece of Turf) (1503, Albertina, Vienna); a reproduction of this picture had hung on the wall of his family's apartment in Berlin so it was familiar to him. The plate was bitten and first proofed on 19 April 1993. There are minir foul biting marks across the plate. Freud used stopping out varnish to adjust come of the small details.
Collection
Accession number
E.453-2020

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Record createdFebruary 17, 2020
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