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Head of an Irishman

Print
1999 (printed)
Artist/Maker
Place of origin

This is one of a group of 143 state, trial and cancellation proofs of etchings by Lucian Freud (1922-2011) which came from the collection of Marc Balakjian (1938-2017) of Studio Prints. Balakjian was Freud’s printer from 1985 and worked closely with him on the production of his etchings.

The sitter here is Paul McLean (b.1964) the subject of two earlier painted portraits. The plate was bitten and first proofed on 30 July 1999, and then bitten again on 6 August. The etching shows a great linear complexity, with a range and concentration of etched lines. Balakjian inked the plate with great skill, using a stiff ink to give density ot the etched lines and a more fluid ink for the background tone that did not disturb the ink in the lines when the plate was wiped.


Object details

Categories
Object type
TitleHead of an Irishman (assigned by artist)
Materials and techniques
Etching on paper
Brief description
Lucian Freud: Trial proof of Head of an Irishman, 1999. Etching. Printed by Marc Balakjian.
Physical description
Head and shoulders of a man wearing a suit and tie.
Dimensions
  • Plate height: 74.1cm
  • Plate height: 56cm
  • Sheet height: 97cm
  • Sheet width: 77.2cm
Marks and inscriptions
21D Lighter print. Trial proof (in pencil; by Marc Balakjian)
Credit line
Accepted in lieu of inheritance tax by HM Government in 2019 from the collection of Marc Balakjian and allocated to the V&A
Summary
This is one of a group of 143 state, trial and cancellation proofs of etchings by Lucian Freud (1922-2011) which came from the collection of Marc Balakjian (1938-2017) of Studio Prints. Balakjian was Freud’s printer from 1985 and worked closely with him on the production of his etchings.

The sitter here is Paul McLean (b.1964) the subject of two earlier painted portraits. The plate was bitten and first proofed on 30 July 1999, and then bitten again on 6 August. The etching shows a great linear complexity, with a range and concentration of etched lines. Balakjian inked the plate with great skill, using a stiff ink to give density ot the etched lines and a more fluid ink for the background tone that did not disturb the ink in the lines when the plate was wiped.
Collection
Accession number
E.411-2020

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Record createdFebruary 17, 2020
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