Bass Viol
1688 (Made)
Artist/Maker | |
Place of origin |
This bass viol is the only viol known to have been made by John Baker of Oxford. Baker may have been the son of a more famous Oxford-based viol maker, William Baker (ca 1648–1685). This instrument would originally have had six strings and formed part of an ensemble of differently pitched viols known as a 'consort of viols'. It was later fitted with a 'cello's neck, peg box and only four tuning pegs, and so it presumably ended up being played like a 'cello.
Object details
Category | |
Object type | |
Materials and techniques | Planed sycamore neck, side and back; planed ebony fingerboard; planed and purfled (bordered) ivory soundboard, carved ivory nut; carved sycamore scrolled peg box. |
Brief description | Bass viol, sycamore body, subsequently converted into a 'cello, John Baker, Oxford, English, 1688. |
Physical description | "Belly of five pieces of pine, with double purfling [bordering] and a central device similar to those on the Meares viol (1/3). Back of three pieces of sycamore, double purfled with decorative loops. The body linings are of canvas. A later neck (secured from inside the body by a large wood screw) and scroll head in crude violoncello style. Plain modern tailpiece attached to hook-bar, and ebony fingerboard inlaid with light coloured wood. Ivory nut (width 4 cm). Four Ebony pegs" Anthony Baines, Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments (London, 1998), p. 4. |
Dimensions |
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Marks and inscriptions | Jno. Baker/ Oxon 1688 Note Label on the inside of the instrument in ink |
Object history | This instrument was formerly part of the collections of Carl Engel and was bought by the Museum for £6. |
Summary | This bass viol is the only viol known to have been made by John Baker of Oxford. Baker may have been the son of a more famous Oxford-based viol maker, William Baker (ca 1648–1685). This instrument would originally have had six strings and formed part of an ensemble of differently pitched viols known as a 'consort of viols'. It was later fitted with a 'cello's neck, peg box and only four tuning pegs, and so it presumably ended up being played like a 'cello. |
Bibliographic reference | Anthony Baines:Catalogue of Musical Instruments in the Victoria and Albert Museum - Part II: Non-keyboard instruments. (London, 1998), p. 4. |
Collection | |
Accession number | 171-1882 |
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Record created | April 22, 2008 |
Record URL |
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