Cover
1800-1899 (made)
Artist/Maker | |
Place of origin |
Silk satin embroidered with couched metal thread and coloured silk in a flat stitch, faced with cotton twill and backed with plain weave cotton.
The central panel [50 x 52.5 cm] has a red satin ground with signs of a bright green selvedge on both sides; the embroidery goes over these selvedges. The design is repeated in each quarter. In the centre is a large lobed circular form embroidered with silver-gilt thread couched with a pattern of small and larger lozenges. From around this forms come 8 curving leaves, facing in an anti-clockwise direction, alternately silver and silver-gilt, couched in a twill and chevron pattern. Framing this is a 16 pointed star form in silver-gilt. Alternate points terminate in a 3-petalled flower with two small leaves with a silver thread centre and details in coloured silk; other points move upwards and split to form half palmettes which in turn join to create an 8-lobed rosette frame.
This is framed by a thin embroidered leafy stem forming a 16 pointed star shape in silver-gilt. At the axis points this leads into a large exotic blossom with two flowering and leafy stems in silver and silver-gilt with chevron couching.
In between a composite form of leaves, buds, flowering stems and small roundels point into each corner. In between these, from the remaining star points, a small lily form in silver-gilt and silver emerges, worked mainly in a twill pattern. The corner motifs repeat part of the central pattern but then lead directly into a corner medallion of silver-gilt with chevron couching.
Around the major motifs and frames, there is a multi-thread 'coil' of silver couched down as an outline.
Metal thread: silver-gilt strip very closely S-twisted on Z-twisted cream silk and silver strip open S-wound on a Z-twisted white silk core.
Embroidery thread: light green, dark green, light blue, dark blue, pink, white and yellow. Couching with white, pink, beige and light green silk.
A 2 cm wide woven braid separates the red field from the black border. A silver strip edges the braid. Much of the black silk ground has corroded and has been replaced with crude embroidery. The pattern is a thin silver-gilt meander with four variations of exotic blossoms including a carnation. The 'peacock eyes' in the corner motif is particularly pretty.
It is possible to see an cotton interlining.
Metal thread: silver-gilt strip very closely S-twisted on Z-twisted cream silk and silver strip open S-wound on a Z-twisted white silk core.
Embroidery thread: red, pink, white, dark green, light green, light brown silk. Cream and faded red silk is used for couching.
Facing: bias-cut cotton, fine stripes in light blue, red, white, green, yellow and brown.
Backing: pieced, undecorated plain weave blue cotton.
The central panel [50 x 52.5 cm] has a red satin ground with signs of a bright green selvedge on both sides; the embroidery goes over these selvedges. The design is repeated in each quarter. In the centre is a large lobed circular form embroidered with silver-gilt thread couched with a pattern of small and larger lozenges. From around this forms come 8 curving leaves, facing in an anti-clockwise direction, alternately silver and silver-gilt, couched in a twill and chevron pattern. Framing this is a 16 pointed star form in silver-gilt. Alternate points terminate in a 3-petalled flower with two small leaves with a silver thread centre and details in coloured silk; other points move upwards and split to form half palmettes which in turn join to create an 8-lobed rosette frame.
This is framed by a thin embroidered leafy stem forming a 16 pointed star shape in silver-gilt. At the axis points this leads into a large exotic blossom with two flowering and leafy stems in silver and silver-gilt with chevron couching.
In between a composite form of leaves, buds, flowering stems and small roundels point into each corner. In between these, from the remaining star points, a small lily form in silver-gilt and silver emerges, worked mainly in a twill pattern. The corner motifs repeat part of the central pattern but then lead directly into a corner medallion of silver-gilt with chevron couching.
Around the major motifs and frames, there is a multi-thread 'coil' of silver couched down as an outline.
Metal thread: silver-gilt strip very closely S-twisted on Z-twisted cream silk and silver strip open S-wound on a Z-twisted white silk core.
Embroidery thread: light green, dark green, light blue, dark blue, pink, white and yellow. Couching with white, pink, beige and light green silk.
A 2 cm wide woven braid separates the red field from the black border. A silver strip edges the braid. Much of the black silk ground has corroded and has been replaced with crude embroidery. The pattern is a thin silver-gilt meander with four variations of exotic blossoms including a carnation. The 'peacock eyes' in the corner motif is particularly pretty.
It is possible to see an cotton interlining.
Metal thread: silver-gilt strip very closely S-twisted on Z-twisted cream silk and silver strip open S-wound on a Z-twisted white silk core.
Embroidery thread: red, pink, white, dark green, light green, light brown silk. Cream and faded red silk is used for couching.
Facing: bias-cut cotton, fine stripes in light blue, red, white, green, yellow and brown.
Backing: pieced, undecorated plain weave blue cotton.
Object details
Category | |
Object type | |
Materials and techniques | silk thread, metal thread, cotton yarn, weaving, embroidering, sewing. |
Brief description | A silk and metal threads embroidered cover, Iran, 18th or 19th century |
Physical description | Silk satin embroidered with couched metal thread and coloured silk in a flat stitch, faced with cotton twill and backed with plain weave cotton. The central panel [50 x 52.5 cm] has a red satin ground with signs of a bright green selvedge on both sides; the embroidery goes over these selvedges. The design is repeated in each quarter. In the centre is a large lobed circular form embroidered with silver-gilt thread couched with a pattern of small and larger lozenges. From around this forms come 8 curving leaves, facing in an anti-clockwise direction, alternately silver and silver-gilt, couched in a twill and chevron pattern. Framing this is a 16 pointed star form in silver-gilt. Alternate points terminate in a 3-petalled flower with two small leaves with a silver thread centre and details in coloured silk; other points move upwards and split to form half palmettes which in turn join to create an 8-lobed rosette frame. This is framed by a thin embroidered leafy stem forming a 16 pointed star shape in silver-gilt. At the axis points this leads into a large exotic blossom with two flowering and leafy stems in silver and silver-gilt with chevron couching. In between a composite form of leaves, buds, flowering stems and small roundels point into each corner. In between these, from the remaining star points, a small lily form in silver-gilt and silver emerges, worked mainly in a twill pattern. The corner motifs repeat part of the central pattern but then lead directly into a corner medallion of silver-gilt with chevron couching. Around the major motifs and frames, there is a multi-thread 'coil' of silver couched down as an outline. Metal thread: silver-gilt strip very closely S-twisted on Z-twisted cream silk and silver strip open S-wound on a Z-twisted white silk core. Embroidery thread: light green, dark green, light blue, dark blue, pink, white and yellow. Couching with white, pink, beige and light green silk. A 2 cm wide woven braid separates the red field from the black border. A silver strip edges the braid. Much of the black silk ground has corroded and has been replaced with crude embroidery. The pattern is a thin silver-gilt meander with four variations of exotic blossoms including a carnation. The 'peacock eyes' in the corner motif is particularly pretty. It is possible to see an cotton interlining. Metal thread: silver-gilt strip very closely S-twisted on Z-twisted cream silk and silver strip open S-wound on a Z-twisted white silk core. Embroidery thread: red, pink, white, dark green, light green, light brown silk. Cream and faded red silk is used for couching. Facing: bias-cut cotton, fine stripes in light blue, red, white, green, yellow and brown. Backing: pieced, undecorated plain weave blue cotton. |
Dimensions |
|
Marks and inscriptions | (paper label sewn on; black ink number '31'.) |
Collection | |
Accession number | T.191-1911 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | April 22, 2008 |
Record URL |
Download as: JSONIIIF Manifest