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Design

late 19th century to early 20th century (made)
Artist/Maker
Place of origin

Henry Wilson (1864-1934) was one of the most original and versatile architect-craftsmen of the early 20th century. He trained initially as an architect but over his career found himself increasingly drawn to the associated arts: church furnishings, stained glass, sculpture, metalwork and jewellery.

Wilson studied at the Kidderminster School of Art, Westminster School of Art and the Royal College of Art, before commencing his architectural training in the offices of Edward Shrewsbury (1848-1924), John Oldrid Scott (1841-1913) and John Belcher. From 1888 to 1891 he was chief architectural assistant to John Dando Sedding (1838-91). The three years he spent in Sedding’s office shaped some of his most deeply held beliefs including the notion that architects should be able to decorate their own buildings and should therefore master other crafts. With this in mind, Wilson turned his attention to designing the jewellery and metalwork pieces he is arguably most well-known for.

This portrait of an unidentified child is part of a larger group of drawings by Wilson in the V&A collection depicting his friends and family members.

Object details

Categories
Object type
Materials and techniques
Black and white chalk on green paper
Brief description
Henry Wilson (1864-1934), portrait of a child with hands held out in front, white and black chalk on paper, late 19th to early 20th century
Physical description
Portrait, in black and white chalk on green paper, of a child with hands held out in front.
Dimensions
  • Height: 37cm
  • Width: 28.2cm
Summary
Henry Wilson (1864-1934) was one of the most original and versatile architect-craftsmen of the early 20th century. He trained initially as an architect but over his career found himself increasingly drawn to the associated arts: church furnishings, stained glass, sculpture, metalwork and jewellery.

Wilson studied at the Kidderminster School of Art, Westminster School of Art and the Royal College of Art, before commencing his architectural training in the offices of Edward Shrewsbury (1848-1924), John Oldrid Scott (1841-1913) and John Belcher. From 1888 to 1891 he was chief architectural assistant to John Dando Sedding (1838-91). The three years he spent in Sedding’s office shaped some of his most deeply held beliefs including the notion that architects should be able to decorate their own buildings and should therefore master other crafts. With this in mind, Wilson turned his attention to designing the jewellery and metalwork pieces he is arguably most well-known for.

This portrait of an unidentified child is part of a larger group of drawings by Wilson in the V&A collection depicting his friends and family members.
Collection
Accession number
E.52-2020

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Record createdJanuary 15, 2020
Record URL
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