Design
early 20th century (made)
Artist/Maker | |
Place of origin |
Henry Wilson (1864-1934) was one of the most original and versatile architect-craftsmen of the early 20th century. He trained initially as an architect but over his career found himself increasingly drawn to the associated arts: church furnishings, stained glass, sculpture, metalwork and jewellery.
Wilson studied at the Kidderminster School of Art, Westminster School of Art and the Royal College of Art, before commencing his architectural training in the offices of Edward Shrewsbury (1848-1924), John Oldrid Scott (1841-1913) and John Belcher. From 1888 to 1891 he was chief architectural assistant to John Dando Sedding (1838-91). The three years he spent in Sedding’s office shaped some of his most deeply held beliefs including the notion that architects should be able to decorate their own buildings and should therefore master other crafts. With this in mind, Wilson turned his attention to designing the jewellery and metalwork pieces he is arguably most well-known for.
This portrait, possibly of Henry Wilson's son Guthlac, is one of a larger group of portraits in the V&A collection by the designer of friends and family members.
Wilson studied at the Kidderminster School of Art, Westminster School of Art and the Royal College of Art, before commencing his architectural training in the offices of Edward Shrewsbury (1848-1924), John Oldrid Scott (1841-1913) and John Belcher. From 1888 to 1891 he was chief architectural assistant to John Dando Sedding (1838-91). The three years he spent in Sedding’s office shaped some of his most deeply held beliefs including the notion that architects should be able to decorate their own buildings and should therefore master other crafts. With this in mind, Wilson turned his attention to designing the jewellery and metalwork pieces he is arguably most well-known for.
This portrait, possibly of Henry Wilson's son Guthlac, is one of a larger group of portraits in the V&A collection by the designer of friends and family members.
Object details
Categories | |
Object type | |
Materials and techniques | Red, black and white chalk on paper |
Brief description | Henry Wilson (1864-1934), portrait of a young man, possibly Wilson's son Guthlac (1902-1953), red, black and white chalk, Britain, early 20th century |
Physical description | Head and shoulders portrait in red, black and white chalk, of a young man in profile with gaze cast downwards. |
Dimensions |
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Summary | Henry Wilson (1864-1934) was one of the most original and versatile architect-craftsmen of the early 20th century. He trained initially as an architect but over his career found himself increasingly drawn to the associated arts: church furnishings, stained glass, sculpture, metalwork and jewellery. Wilson studied at the Kidderminster School of Art, Westminster School of Art and the Royal College of Art, before commencing his architectural training in the offices of Edward Shrewsbury (1848-1924), John Oldrid Scott (1841-1913) and John Belcher. From 1888 to 1891 he was chief architectural assistant to John Dando Sedding (1838-91). The three years he spent in Sedding’s office shaped some of his most deeply held beliefs including the notion that architects should be able to decorate their own buildings and should therefore master other crafts. With this in mind, Wilson turned his attention to designing the jewellery and metalwork pieces he is arguably most well-known for. This portrait, possibly of Henry Wilson's son Guthlac, is one of a larger group of portraits in the V&A collection by the designer of friends and family members. |
Collection | |
Accession number | E.46-2020 |
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Record created | January 15, 2020 |
Record URL |
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