Vulcan series
Ring
2012 (made)
2012 (made)
Artist/Maker | |
Place of origin |
Emefa Cole’s jewellery is highly sculptural, with an appeal that is both visual and tactile. She is influenced by nature, but more as a force than for any naturalistic detail. She has written that her work ‘takes inspiration from the power of destruction, renewal and discovery in context of time and the elemental forces of nature’. Her Vulcan Series – from which this ring comes – is inspired by volcanic activity. With its bulbous shell and internal crater, it was first modelled in wax in one piece then cast in silver using the lost wax technique. The dark patination of its smooth, polished exterior contrasts with the rich softness of the gold leaf within. The ring was made in 2012 and was shown at Ghana Fashion and Design Week, Accra, the following year.
Emefa Cole (born Ghana, 1979) has a BA Hons in Jewellery and Silversmithing from the Sir John Cass School of Art, Media and design, London Metropolitan University, following which she took the 2012 Goldsmiths’ Company’s Getting Started programme. Her work was selected for the opening exhibition of the Goldsmiths’ Centre, London, in April that year. In 2020 (supported by the a-n) she worked with goldsmiths of the Asantehene in Kumasi, Ghana, learning traditional Asante casting techniques.
Emefa Cole (born Ghana, 1979) has a BA Hons in Jewellery and Silversmithing from the Sir John Cass School of Art, Media and design, London Metropolitan University, following which she took the 2012 Goldsmiths’ Company’s Getting Started programme. Her work was selected for the opening exhibition of the Goldsmiths’ Centre, London, in April that year. In 2020 (supported by the a-n) she worked with goldsmiths of the Asantehene in Kumasi, Ghana, learning traditional Asante casting techniques.
Object details
Categories | |
Object type | |
Title | Vulcan series (assigned by artist) |
Materials and techniques | Cast in one using the lost wax technique, oxidised silver with applied gold leaf. |
Brief description | Ring, oxidised silver and goldleaf, designed and made by Emefa Cole, England 2012 |
Physical description | A large ring, its dark, polished, bulbous form extending seamlessly from the band. It is open at the top, revealing a cavernous three-layered crater within, glowing with gold leaf. The rim of the crater is delicate and irregular in profile, and its smooth, polished exterior contrasts with the tooled surface and mottled gold within. |
Dimensions |
|
Production type | Unique |
Credit line | Purchased through the generosity of William & Judith, Douglas and James Bollinger |
Summary | Emefa Cole’s jewellery is highly sculptural, with an appeal that is both visual and tactile. She is influenced by nature, but more as a force than for any naturalistic detail. She has written that her work ‘takes inspiration from the power of destruction, renewal and discovery in context of time and the elemental forces of nature’. Her Vulcan Series – from which this ring comes – is inspired by volcanic activity. With its bulbous shell and internal crater, it was first modelled in wax in one piece then cast in silver using the lost wax technique. The dark patination of its smooth, polished exterior contrasts with the rich softness of the gold leaf within. The ring was made in 2012 and was shown at Ghana Fashion and Design Week, Accra, the following year. Emefa Cole (born Ghana, 1979) has a BA Hons in Jewellery and Silversmithing from the Sir John Cass School of Art, Media and design, London Metropolitan University, following which she took the 2012 Goldsmiths’ Company’s Getting Started programme. Her work was selected for the opening exhibition of the Goldsmiths’ Centre, London, in April that year. In 2020 (supported by the a-n) she worked with goldsmiths of the Asantehene in Kumasi, Ghana, learning traditional Asante casting techniques. |
Collection | |
Accession number | M.13-2020 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | January 15, 2020 |
Record URL |
Download as: JSONIIIF Manifest