Jug
1874 (dated)
| Artist/Maker | |
| Place of origin |
Object Type
Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad.
People
Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook.
Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad.
People
Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Stoneware covered with white slip, incised and painted |
| Brief description | Jug of stoneware covered with slip decorated by Hannah Barlow, and made by Doulton & Co., Lambeth Art Pottery, London, 1874. |
| Physical description | Jug of buff-coloured stoneware covered with white slip and with sgraffiatodecoration, painted in blue and white. Ovoid body with a long neck, spreading mouth and loop handle. On the body is a group of rabbits. The neck is decorated with vertical leaves coloured blue and the handle with foliage in blue on a brown ground. |
| Dimensions |
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| Marks and inscriptions |
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| Gallery label | Jug
Hannah Barlow, made by Doulton & Co., Lambeth Art Pottery, London, England, dated 1874
3788-1901(23/05/2008) |
| Credit line | Transferred from the Museum of Practical Geology, Jermyn Street |
| Production | Made at Lambeth Art Pottery. |
| Subjects depicted | |
| Summary | Object Type Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad. People Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook. |
| Collection | |
| Accession number | 3788-1901 |
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| Record created | March 31, 2008 |
| Record URL |
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