Jug
1874 (made)
Artist/Maker | |
Place of origin |
Object Type
Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad.
People
Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook.
Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad.
People
Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook.
Object details
Categories | |
Object type | |
Materials and techniques | Stoneware with incised decoration filled in |
Brief description | Jug of buff-coloured stoneware with incised decoration by Hannah Barlow, made by Doulton & Co., Lambeth Art Pottery, London, 1874. |
Physical description | Jug of buff-coloured stoneware with incised decoration filled in with blue on a light brown ground. Elongated pear-shaped body, expanding mouth with slightly projecting lip, and loop handle. On the front is a group of a bitch and puppies. On either side of the handle is a vertical laurel-branch. |
Dimensions |
|
Marks and inscriptions |
|
Gallery label | Jug
Hannah Barlow, made by Doulton & Co., Lambeth Art Pottery, London, England,
3787-1901(23/05/2008) |
Credit line | Transferred from the Museum of Practical Geology, Jermyn Street |
Production | Made at Lambeth Art Pottery. |
Subjects depicted | |
Summary | Object Type Doulton's commercial production was of salt-glazed utilitarian wares, which were strong and waterproof. Their art ware production, begun in the early 1860s, capitalised on this technical expertise. The artwares, such as this vase, were made on the back of the utilitarian ware using the same material but more decoratively. Doulton was among the first to rediscover the qualities which made stoneware appropriate for art wares. Although perfectly functional as a water-container, stoneware's strength and ability to retain a crisp decorative outline recommended it to collectors in Britain and abroad. People Hannah Barlow was one of a family of decorators. She studied at Lambeth School of Art and joined Doulton's art studio nearby in 1871, her brother Arthur and sisters Florence and Lucy joining her thereafter. She was the first female artist to work there. She specialised in incised decoration of countryside subjects of farmhands, and animals in a fresh and natural manner, almost as though she was using the clay as a sketchbook. |
Collection | |
Accession number | 3787-1901 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | March 31, 2008 |
Record URL |
Download as: JSONIIIF Manifest