Ring
1871
Place of origin |
This small gold and enamel ring commemorates John Osmotherly, who was born in 1799 and was buried at Cliffe in Kent in 1871. He was a builder and carpenter who married twice - once to Sarah Jefferson (1800-1832), by whom he had 5 children and the second time, to Ann Rolf (1800-1877), this marriage produced 5 more children. John was a prosperous man - he was recorded in the 1851 Census as the head of a building form, employing 14 men. The black enamel of the ring and the central hair panel suggest that it was made as a memorial ring, probably for a family member or friend, but there is no specific religious or mourning imagery in the design.
From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. By the end of the 19th century, memorial ring designs were becoming more standardised. The hoops were often inscribed with phrases such as 'In memory' whilst a commemorative inscription could be added to the inside of the hoop. The custom of giving rings as memorials gradually declined in the early 20th century, although the Goldsmiths Journal suggests that some were still being sold in the 1930s.
From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. By the end of the 19th century, memorial ring designs were becoming more standardised. The hoops were often inscribed with phrases such as 'In memory' whilst a commemorative inscription could be added to the inside of the hoop. The custom of giving rings as memorials gradually declined in the early 20th century, although the Goldsmiths Journal suggests that some were still being sold in the 1930s.
Object details
Categories | |
Object type | |
Materials and techniques | Enamelled gold |
Brief description | Gold and enamel mourning ring with inscription commemorating John Osmotherly. England, 1871. |
Physical description | Gold hoop with broad shoulders decorated with gold foliage on a black enamel background. The bezel is circular and decorated with a gold and black enamel Greek key design around a circular central panel, possibly formed of a glass cover over plaited hair. The inside of the hoop is engraved J. Osmotherly Oct 13 1871 age 72'. |
Dimensions |
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Marks and inscriptions | J. Osmotherly Oct 13 1871 age 72 |
Credit line | Given by Nancy Clague and Mary Willows |
Summary | This small gold and enamel ring commemorates John Osmotherly, who was born in 1799 and was buried at Cliffe in Kent in 1871. He was a builder and carpenter who married twice - once to Sarah Jefferson (1800-1832), by whom he had 5 children and the second time, to Ann Rolf (1800-1877), this marriage produced 5 more children. John was a prosperous man - he was recorded in the 1851 Census as the head of a building form, employing 14 men. The black enamel of the ring and the central hair panel suggest that it was made as a memorial ring, probably for a family member or friend, but there is no specific religious or mourning imagery in the design. From the early seventeenth to the end of the nineteenth century, testators left money in their wills to have rings with commemorative inscriptions made and distributed to their friends and families. Simple bands enamelled with the name and life dates of the deceased were frequently made, sometimes set with a gemstone or a bezel set with a rock crystal covering a symbol such as a coffin or initials in gold wire. In the later 18th century, rings followed neo-classical designs, their oval bezels often decorated with the same designs as funerary monuments such as urns, broken pillars and mourning figures. Hair from the deceased was incorporated into the designs or set in a compartment at the back of the ring to give each jewel a uniquely personal element. Black or white enamel were favoured though white enamel was often, though not universally used to commemorate children and unmarried adults. By the end of the 19th century, memorial ring designs were becoming more standardised. The hoops were often inscribed with phrases such as 'In memory' whilst a commemorative inscription could be added to the inside of the hoop. The custom of giving rings as memorials gradually declined in the early 20th century, although the Goldsmiths Journal suggests that some were still being sold in the 1930s. |
Collection | |
Accession number | M.17-2019 |
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Record created | September 3, 2019 |
Record URL |
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