Not currently on display at the V&A

Tartan Ribbon

Photograph
circa 1937
Artist/Maker

James Clerk Maxwell famously created the basis for Dr. Spencer's image in 1861 during a presentation to the Royal Institution of London. Maxwell himself was not interested in photography, but the physics of colour. Nevertheless, in collaboration with photographer Thomas Sutton (1819-1875) he sought out to prove that any colour could be created by mixing the colours blue, red and green. He commissioned Sutton to produce three black and white negatives, each to be photographed through red, green and blue filters. These three negatives would become known as ‘separation negatives’. They were then turned into positives and projected in superimposition through their respective coloured filter. The resulting projection was a full colour image and as if by accident, the path to colour photography was found.

In 1937, Dr. Spencer discovered that the original positive transparencies created by Sutton and used during the 1861 presentation were housed at Cambridge University. Using his own process, Vivex, introduced in 1928, he created the first phyiscal print of the tartan ribbon projection.

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Object details

Category
Object type
TitleTartan Ribbon (generic title)
Materials and techniques
This photograph was made using Dr D.A. Spencer's process that he called 'Vivex'. It was a variation of the tri-colour carbro process invented in 1928.
Brief description
Photograph made by Dr D.A. Spencer, 'Tartan Ribbon', Vivex colour print, printed ca. 1933 using original James Clerk Maxwell positive transparencies created in 1861.
Physical description
Photograph of a green, red and blue tartan ribbon against a black backdrop.
Dimensions
  • Image width: 103mm
  • Image height: 95mm
Credit line
The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund.
Summary
James Clerk Maxwell famously created the basis for Dr. Spencer's image in 1861 during a presentation to the Royal Institution of London. Maxwell himself was not interested in photography, but the physics of colour. Nevertheless, in collaboration with photographer Thomas Sutton (1819-1875) he sought out to prove that any colour could be created by mixing the colours blue, red and green. He commissioned Sutton to produce three black and white negatives, each to be photographed through red, green and blue filters. These three negatives would become known as ‘separation negatives’. They were then turned into positives and projected in superimposition through their respective coloured filter. The resulting projection was a full colour image and as if by accident, the path to colour photography was found.

In 1937, Dr. Spencer discovered that the original positive transparencies created by Sutton and used during the 1861 presentation were housed at Cambridge University. Using his own process, Vivex, introduced in 1928, he created the first phyiscal print of the tartan ribbon projection.
Bibliographic references
  • Pénichon, Sylvie. Twentieth Century Colour Photographs: Identification and Care. Los Angeles, CA: Getty Conservation Institute, 2013.
  • Coote, Jack H. The Illustrated History of Colour Photography. Surrey, UK: Fountain Press Limited, 1993.
  • Roberts, Pamela. A Century of Colour Photography: From the Autochrome to the Digital Age. London, UK: Andres Deutsch Limited, Carlton Publishing Group, 2007.
Collection
Accession number
RPS.888-2019

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Record createdAugust 15, 2019
Record URL
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