Tartan Ribbon
Photograph
circa 1937
circa 1937
Artist/Maker |
James Clerk Maxwell famously created the basis for Dr. Spencer's image in 1861 during a presentation to the Royal Institution of London. Maxwell himself was not interested in photography, but the physics of colour. Nevertheless, in collaboration with photographer Thomas Sutton (1819-1875) he sought out to prove that any colour could be created by mixing the colours blue, red and green. He commissioned Sutton to produce three black and white negatives, each to be photographed through red, green and blue filters. These three negatives would become known as ‘separation negatives’. They were then turned into positives and projected in superimposition through their respective coloured filter. The resulting projection was a full colour image and as if by accident, the path to colour photography was found.
In 1937, Dr. Spencer discovered that the original positive transparencies created by Sutton and used during the 1861 presentation were housed at Cambridge University. Using his own process, Vivex, introduced in 1928, he created the first phyiscal print of the tartan ribbon projection.
In 1937, Dr. Spencer discovered that the original positive transparencies created by Sutton and used during the 1861 presentation were housed at Cambridge University. Using his own process, Vivex, introduced in 1928, he created the first phyiscal print of the tartan ribbon projection.
Delve deeper
Discover more about this object
Object details
Category | |
Object type | |
Title | Tartan Ribbon (generic title) |
Materials and techniques | This photograph was made using Dr D.A. Spencer's process that he called 'Vivex'. It was a variation of the tri-colour carbro process invented in 1928. |
Brief description | Photograph made by Dr D.A. Spencer, 'Tartan Ribbon', Vivex colour print, printed ca. 1933 using original James Clerk Maxwell positive transparencies created in 1861. |
Physical description | Photograph of a green, red and blue tartan ribbon against a black backdrop. |
Dimensions |
|
Credit line | The Royal Photographic Society Collection at the V&A, acquired with the generous assistance of the National Lottery Heritage Fund and Art Fund. |
Summary | James Clerk Maxwell famously created the basis for Dr. Spencer's image in 1861 during a presentation to the Royal Institution of London. Maxwell himself was not interested in photography, but the physics of colour. Nevertheless, in collaboration with photographer Thomas Sutton (1819-1875) he sought out to prove that any colour could be created by mixing the colours blue, red and green. He commissioned Sutton to produce three black and white negatives, each to be photographed through red, green and blue filters. These three negatives would become known as ‘separation negatives’. They were then turned into positives and projected in superimposition through their respective coloured filter. The resulting projection was a full colour image and as if by accident, the path to colour photography was found. In 1937, Dr. Spencer discovered that the original positive transparencies created by Sutton and used during the 1861 presentation were housed at Cambridge University. Using his own process, Vivex, introduced in 1928, he created the first phyiscal print of the tartan ribbon projection. |
Bibliographic references |
|
Collection | |
Accession number | RPS.888-2019 |
About this object record
Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.
You can write to us to suggest improvements to the record.
Suggest feedback
You can write to us to suggest improvements to the record.
Suggest feedback
Record created | August 15, 2019 |
Record URL |
Download as: JSON