Pinafore Dress thumbnail 1
Pinafore Dress thumbnail 2
Not on display

Pinafore Dress

1962 (made)
Artist/Maker
Place of origin

This ensemble was offered for acquisition following the 2019 Mary Quant exhibition which charted the development of the designer’s career and brand, from 1955 to 1975. The owner Caroline Montagu-Pollock responded to the ‘#WeWantQuant’ public callout for Mary Quant garments broadcast as part of the exhibition. With its low scooped neckline, contrasting waistcoat-style bodice and waist-defining patent-leather belt, ‘City Slicker’ plays with the proportions of masculine tailoring. It is a key example of Quant's designs of the early 1960s, which often used heavy wools and tweeds, taking traditional fabrics associated with menswear and using them for modern, streamlined dresses for women. A similar ‘City Slicker’ dress design featured in a 1963 photoshoot by Terence Donovan, modelled by Celia Hammond with a matador-style hat.

Caroline Montagu-Pollock was a photographic model during the early 1960s and regularly modelled clothes designed by Mary Quant. She recalled, ‘When Mary burst on to the scene [with] her brilliant clear-cut style, in the most gorgeous materials, it was a revelation.’ She bought several outfits from the King's Road branch of Mary Quant's boutique Bazaar, including a petticoat-style skirt also in the V&A collection (T.283-2019).

Object details

Categories
Object type
Materials and techniques
Brief description
Pinafore dress with heavy wool black and white striped tweed and boucle wool by Mary Quant, 1962.
Physical description
Pinafore dress with heavy wool black and white striped tweed bodice, cut with an exaggerated low neckline, seamed to a skirt of black bouclé wool. Fastening centre back with a metal zip, lined with acetate.
Dimensions
  • Centre of shoulder seam to hem length: 98.5cm
  • Bust, external circumference: 85cm
  • Waist (external) circumference: 77cm
Marks and inscriptions
Woven label with 'MARY QUANT/LONDON' in black on grey.
Gallery label
(March 2020)
‘CITY SLICKER�19
62–63
Worn by Caroline Montagu-Pollock

With its low scooped neckline, contrasting waistcoat-style bodice and waist-defining belt, ‘City Slicker’ plays with the proportions of masculine tailoring. The wearer, Caroline Pollock, recalled, ‘When Mary burst on to the scene [with] her brilliant clear-cut style, in the most gorgeous materials, it was a revelation.’

Wool and cotton
Labelled ‘Mary Quant London’
Made in London
Given by Caroline and Sophie Pollock
V&A: T.282:1&2-2020

Credit line
Given by Caroline and Sophie Pollock
Summary
This ensemble was offered for acquisition following the 2019 Mary Quant exhibition which charted the development of the designer’s career and brand, from 1955 to 1975. The owner Caroline Montagu-Pollock responded to the ‘#WeWantQuant’ public callout for Mary Quant garments broadcast as part of the exhibition. With its low scooped neckline, contrasting waistcoat-style bodice and waist-defining patent-leather belt, ‘City Slicker’ plays with the proportions of masculine tailoring. It is a key example of Quant's designs of the early 1960s, which often used heavy wools and tweeds, taking traditional fabrics associated with menswear and using them for modern, streamlined dresses for women. A similar ‘City Slicker’ dress design featured in a 1963 photoshoot by Terence Donovan, modelled by Celia Hammond with a matador-style hat.

Caroline Montagu-Pollock was a photographic model during the early 1960s and regularly modelled clothes designed by Mary Quant. She recalled, ‘When Mary burst on to the scene [with] her brilliant clear-cut style, in the most gorgeous materials, it was a revelation.’ She bought several outfits from the King's Road branch of Mary Quant's boutique Bazaar, including a petticoat-style skirt also in the V&A collection (T.283-2019).
Associated objects
Collection
Accession number
T.282:1-2019

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Record createdAugust 6, 2019
Record URL
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