Vase
c.1888-98 (made)
| Artist/Maker | |
| Place of origin |
This vase was produced by the studio of William de Morgan whose output included some of the most distinctive wares of the nineteenth century art-pottery movement. His studio, with a focus on the creation of 'artistic' wares and the tireless experiments of De Morgan himself to reproduce various colours and glazes, was regarded as the antithesis of the large impersonal and industrialised factories. De Morgan was greatly influenced by Italian renaissance and Iznik ceramics, and aimed to perfect the vibrant lustres of such wares, as demonstrated on this vase.
De Morgan moved his pottery several times during his career, to meet the changing demands of his life and work, first at Chelsea (1872-82), then at Merton Abbey (1882-88) and finally at Fulham (1888-1898) after which De Morgan played an increasingly detached role in the company.
De Morgan moved his pottery several times during his career, to meet the changing demands of his life and work, first at Chelsea (1872-82), then at Merton Abbey (1882-88) and finally at Fulham (1888-1898) after which De Morgan played an increasingly detached role in the company.
Object details
| Categories | |
| Object type | |
| Materials and techniques | Earthenware with lustre decoration |
| Brief description | Vase, earthenware with lustre decoration, designed by William De Morgan, painted by Joe Juster and made at the De Morgan pottery, Chelsea, c.1888-98. |
| Dimensions |
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| Marks and inscriptions |
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| Gallery label |
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| Credit line | Given by Mr Archibald Anderson |
| Summary | This vase was produced by the studio of William de Morgan whose output included some of the most distinctive wares of the nineteenth century art-pottery movement. His studio, with a focus on the creation of 'artistic' wares and the tireless experiments of De Morgan himself to reproduce various colours and glazes, was regarded as the antithesis of the large impersonal and industrialised factories. De Morgan was greatly influenced by Italian renaissance and Iznik ceramics, and aimed to perfect the vibrant lustres of such wares, as demonstrated on this vase. De Morgan moved his pottery several times during his career, to meet the changing demands of his life and work, first at Chelsea (1872-82), then at Merton Abbey (1882-88) and finally at Fulham (1888-1898) after which De Morgan played an increasingly detached role in the company. |
| Bibliographic references |
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| Collection | |
| Accession number | C.265-1915 |
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| Record created | March 31, 2008 |
| Record URL |
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