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Architectural Drawing

1989/1990 (made)
Artist/Maker
Place of origin

Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984.

Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion.

In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.

Object details

Categories
Object type
Materials and techniques
Pencil on paper
Brief description
Perspective sketch for the sanctuary with a preliminary proposal for the reredos as a roundel, for St Paul's Church, Harringay, London, by Peter Jenkins of Peter Inskip + Peter Jenkins Architects, pencil on paper, London, 1989/1990
Physical description
Perspective pencil sketch on Peter Inskip + Peter Jenkins Architects headed notepaper showing the sanctuary with altar and a preliminary proposal for the reredos as a roundel.
Dimensions
  • Height: 215mm
  • Width: 301mm
Credit line
Given by Peter Jenkins
Object history
This sketch shows a preliminary proposal for the reredos as a roundel.
Subjects depicted
Summary
Located in a residential area of Harringay, North London, St Paul’s was designed by Peter Jenkins between 1988 and 1993 to replace a Victorian Gothic Revival church (built 1890-1) which was destroyed by fire on Ash Wednesday 1984.

Jenkins’ church combines traditional liturgical forms with contemporary design. The plan of the church is traditional, being narrow and rectangular with the entrance at the west end and the altar at the east. This was in part dictated by the confines of the site, but also by the church’s Anglo-Catholic liturgical tradition which preferred an axial, processional plan. This traditional plan is in contrast to the majority of contemporary churches, which locate congregations around a central altar in order to emphasise the participatory aspect of the Communion.

In scale, Jenkins’ design echoes that of its Victorian predecessor, which was built to a vast scale, able to seat 900, and visually dominated the area’s skyline. Despite being a much smaller church in capacity, seating just 140, Jenkins has maintained the church’s visual dominance, making it an architectural and spiritual focal point in the surrounding area. This aspect of the design generated serious opposition from the local council, which argued – unsuccessfully – that the new church should blend in with the surrounding architecture.
Bibliographic references
  • Taken from notes by Peter Jenkins (Clare Lodge, Practice Archivist, 25/02/2016) "Perspective pencil sketch by PJ on I+J notepaper of the sanctuary with a preliminary proposal for the reredos as a rondelle and the altar, from late 1989 or early 1990 after Stephen Cox was commissioned, at the suggestion of PJ, as sculptor for the [sic] these together with the font and the stations of the cross. Cox worked closely with PJ on the thematics iconography, materials, and scale of the sculptural elements. It was important for the architecture of the church that the sculpture was sustained and manifest as a separate order and art."
  • Seeley, John, 'Phoenix Rising, St Paul's, Harringay' in Church Building (Summer 1990), p. 45
  • 'Clare Melhuish reports on the new church' in Church Building (Summer 1990), pp. 46-47
  • 'Detail: St Paul's, Harringay by Peter Inskip & Peter Jenkins' in Architecture Today, 17 (April 1991), pp. 88-89
  • Glancey, Jonathan, 'A temple of simplicity to soothe the soul', in The Independent, Wednesday 4 August 1993, p.13
  • Dorment, Richard, 'Putting high art above the altar', in The Daily Telegraph, Wednesday, August 25, 1993, p. 12
  • Maxwell, Robert, 'Sacred Space: Inskip and Jenkins in Haringey' in Architecture Today, 43 (November 1993), pp. 36-41
  • 'New Church of St Paul, Harringay (GB)' in Eurozinc (1993), p. 13.
  • 'St Paul's Harringay, Review by Clare Melhuish and Michael Jones-Frank' in Church Building, Issue 28 (July/August 1994), pp. 31-33
  • 'Spiritual Elevation, St Paul's Church, Wightman Road, Harringay, London N4', in Brick Bulletin (Autumn, 1994), pp. 18-20
Other number
STP(A)50 - Previous number
Collection
Accession number
E.145-2022

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Record createdJune 10, 2019
Record URL
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